by Jennifer Keats Curtis ‧ RELEASE DATE: Feb. 10, 2013
Part of an ongoing series about animal care that began with Wildlife Rehabilitators (2012), this title fills a niche but...
What happens to a wild animal too badly injured or too acclimated to humans to be returned to the wild?
Using examples from six animal-rescue organizations across the country, Curtis describes what wild-animal sanctuaries do. Short informational paragraphs are set on full-bleed, double-page photographs of animals being cared for. The account begins with a series of portraits of shelter animals: several tigers, a binturong, a declawed Canadian lynx, a pair of blind bobcats and a bear. The author goes on to describe animal medical and dental treatments, training and enrichment. More than half the photographs relate to captive tigers, but other animals, even an overgrown farm pig, appear. A final page shows volunteers moving an animal into a shelter. There is no real narrative arc, nor any direct suggestion that readers could be involved in this work. Only in the four pages of backmatter—a quiz, a map, further information and thumbnail behind-the-scenes pictures—are readers invited to connect, through questions about where they live and what they like to do.
Part of an ongoing series about animal care that began with Wildlife Rehabilitators (2012), this title fills a niche but doesn’t excite. (Informational picture book. 4-8)Pub Date: Feb. 10, 2013
ISBN: 978-1-60718-611-3
Page Count: 32
Publisher: Sylvan Dell
Review Posted Online: Dec. 25, 2012
Kirkus Reviews Issue: Jan. 15, 2013
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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