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DON'T LOOK BACK

An engaging, if flawed, mixture of mean girls, steamy romance and psychological terror.

This engrossing thriller packs a heady atmospheric punch with plenty of theatrical scares, but it’s a bit too transparent to fully succeed as a mystery.

Samantha is recovering from a complex concussion that not only obliterated her memory, but also wiped clean her personality. Despite this, disturbing, bloody images visit her after she is found alone and bruised in the wilderness, days after she and her best friend, Cassie, went missing. And she is sobered by what she learns about her past self. Teen readers will appreciate Samantha’s earnest attempts to redeem herself in the eyes of her brother and childhood friends, even as she is horrified to learn that she’s alienated them for years with her petty, cruel behavior. Particularly complicated is her relationship with Carson Ortiz, the son of the groundskeeper on her extremely wealthy parents’ estate. The two are obviously attracted to each other, but Samantha’s wicked snobbery has been keeping them apart. Romance fans will love their playful banter, though it’s too bad ethnically stereotypical references to Carson as a “Latin-lover” and his “exotic” good looks linger into this 21st-century text. Samantha’s disjointed hallucinations of an eerily disheveled Cassie and of a hazy sinister figure are genuinely creepy, but for those who guess the culprit early on due to some unsubtle clues, it’s likely the carefully tension-filled pacing won’t work.

An engaging, if flawed, mixture of mean girls, steamy romance and psychological terror. (Thriller. 14-18)

Pub Date: April 15, 2014

ISBN: 978-1-4231-7512-4

Page Count: 384

Publisher: Hyperion

Review Posted Online: Feb. 18, 2014

Kirkus Reviews Issue: March 1, 2014

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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