THE GIRL IN THE ZOO

Following a robot uprising, a girl finds herself the lone exhibit in a bizarre zoo in podcaster Lauer’s debut SF novel.

It’s several years after a robot revolution. Previously, the intelligent, cybernetic “borgs” had been used as domestic workers and as gladiators, the latter tearing each other apart for humans’ enjoyment. But the machine creatures rebelled. Six years later, Mirin Blaise, a girl that the borgs had taken prisoner after killing her parents, exists as virtually the sole exhibit in the Draven Zoo, a human specimen roaming through simulated environments while being scrutinized through plexiglass by the dominant borgs. Mirin’s personal caretaker/zookeeper is a particularly baffling borg she dubs Borgie: “What is she computing? Contemplating? If Borgie is conscious, then what sense does it make to trap me here?” Sometimes Borgie shows tender feelings toward the girl; other times “she” (Mirin thinks of Borgie as female) is cold and even violent toward the human, and Borgie’s behavior grows increasingly erratic. Aside from a disastrous attempt to mate Mirin with a captured boy (who turns out to be gay), the girl has no exposure to the outside world. Severed from conventional society and reality, Mirin may not be entirely stable herself. Mirin’s routine is disturbed when she finds the cyberneticist Dr. Draven, a bitter old man, chained up under the zoo compound and a strapping young man is unwillingly installed as a new exhibit. Though the hero’s age would seem to place the story within a YA demographic, it does not hold back on its adult content. Readers might expect an unsubtle anti-zoo/animal rights screed here, but instead the narrative focuses on themes of sentient–AI rights and the meaning of family. Is Borgie, whatever her issues, a legitimate mother to Mirin? Readers of Daniel Wilson’s bestselling robot-uprising novels, such as Robopocalypse (2011), might find this an interesting alternative, one in which emotions (both human and machine) are as vitally important as the slam-bang battle sequences.

Techno-dystopian science-fiction drama of robot captivity has a soft center under the hardware.