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MY DARLING GIRL

Freakin’ terrifying.

Alison barely survived a traumatic childhood with her wildly unpredictable, alcoholic mother, Mavis. So it is with no small amount of trepidation that she agrees to bring her mother home to die of cancer.

Mavis’ longtime assistant, Paul, seems agitated when they arrive at Alison’s Vermont farmhouse, but once he leaves, the two women seem to settle into an uneasy truce, and Mavis is sweet and engaging with Alison’s two daughters, especially 6-year-old Olivia. Sixteen-year-old Izzy finds her “creepy,” but soon, she, too, is joining Mavis for tea and interviewing her for a film project. Haunted by childhood memories and disturbed by the rock her mother keeps by her at all times and seems to value above all else, Alison feels like she’s the only one suspicious about her mother’s motives in coming to Vermont, but she can’t deny that the rest of the family has been charmed. Olivia, however, begins to have nightmares, and Mavis taunts Alison with some of her childhood secrets that no one could know. Then Paul—who’s come to visit—runs out of the house after a brief exchange with his employer, telling Alison, “That’s not Mavis.” What follows is chilling, and terrifying, and heartbreakingly terrific horror writing. Alison must unravel her mother’s secrets and begins to realize that her mother’s abuse, perhaps, was in part driven by a desire to protect her. While there is a clear and logical explanation for all the mystery, it’s not one that any other person in Alison’s life can understand or accept, so she finds herself alone, losing the trust of her loved ones as she fights like hell to protect her daughters. While it’s common in horror for secondary characters to cling to a more “realistic” explanation, like mental illness due to trauma, in lieu of accepting evidence of the supernatural, it’s somewhat discouraging to see this trope here. Alison’s strength deserves a better, kick-ass outcome—even if the ending proves how inevitably evil may triumph. Just once: Listen and believe the woman!

Freakin’ terrifying.

Pub Date: Oct. 3, 2023

ISBN: 9781668019061

Page Count: 320

Publisher: Scout Press/Simon & Schuster

Review Posted Online: July 26, 2023

Kirkus Reviews Issue: Aug. 15, 2023

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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CAMINO GHOSTS

Fine Grisham storytelling that his fans will enjoy.

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A descendant of enslaved people fights a Florida developer over the future of a small island.

In 1760, the slave ship Venus breaks apart in a storm on its way to Savannah, and only a few survivors, all Africans, find their way safely to a tiny barrier island between Florida and Georgia. For two centuries, only formerly enslaved people and their descendants live there. A curse on white people hangs over the island, and none who ever set foot on it survive. Its last resident was Lovely Jackson, who departed as a teen in 1955. Today—well, in 2020—a developer called Tidal Breeze wants Florida’s permission to “develop” Dark Isle, which sits within bridge-building distance from the well-established Camino Island. The plot is an easy setup for Grisham, big people vs. little people. Lovely’s revered ancestors are buried on Dark Isle, which Hurricane Leo devastated from end to end. Lovely claims the islet’s ownership despite not having formal title, and she wants white folks to leave the place alone. But apparently Florida doesn’t have enough casinos and golf courses to suit some people. Surely developers can buy off that little old Black lady with a half million bucks. No? How about a million? “I wish they’d stop offering money,” Lovely complains. “I ain’t for sale.” Thus a non-jury court trial begins to establish ownership. The story has no legal fireworks, just ordinary maneuvering. The real fun is in the backstory, in the portrayal of the aptly named Lovely, and the skittishness of white people to step on the island as long as the ancient curse remains. Lovely has self-published a history of the island, and a sympathetic white woman named Mercer Mann decides to write a nonfiction account as well. When that book ultimately comes out, reviewers for Kirkus (and others) “raved on and on.” Don’t expect stunning twists, though early on Dark Isle gives four white guys a stark message. The tension ends with the judge’s verdict, but the remaining 30 pages bring the story to a satisfying conclusion.

Fine Grisham storytelling that his fans will enjoy.

Pub Date: May 28, 2024

ISBN: 9780385545990

Page Count: 304

Publisher: Doubleday

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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