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THE YEAR OF THE GADFLY

A gripping thrill ride that’s also a thoughtful coming-of-age story.

Journalist Miller (Inheriting the Holy Land, 2005) makes her fiction debut with a smoldering mystery set in a New England prep school.

Iris Dupont’s parents have relocated to western Massachusetts, ostensibly so she can attend the prestigious Mariana Academy, but really because they’re worried about Iris. Her best friend Dalia recently committed suicide, and Iris has been observed talking to a wall—actually, she confides, she’s talking to her idol, Edward R. Murrow, and, yes, she knows he’s dead; but their imaginary conversations help smart, ambitious Iris sort out her feelings and remain focused on her goal of becoming a great journalist. She gets plenty to investigate, beginning with a science book containing a mysterious inscription that she finds in the bedroom of Lily Morgan, daughter of Mariana’s former headmaster. The Duponts are temporarily staying in the absent Morgans’ house, a rare contrived premise in an otherwise well-plotted tale that mingles first-person narrations by Iris and biology teacher Jonah Kaplan, who was once a student at Mariana, with the grim story of Lily’s ordeal and departure from Mariana in 2000. The novel occasionally recalls Donna Tartt’s The Secret History (1992), with its tale of a covert student group (Prisom’s Party in this case) up to no good, but it’s far less pretentious, and Miller’s portrait of the way basically decent kids get sucked into destructive behavior is more credible. Prisom’s Party does engage in some very ugly antics, however, and as Mariana’s scandal-racked history unfolds through Iris’ detective work, we see that Jonah was implicated in past wrongdoing as well. The author skillfully ratchets up the tension as Iris (and the reader) finds it harder and harder to tell who the good guys are, particularly after Prisom’s Party sends an appealing boy to recruit her. It’s scarily possible that she will come to share Jonah’s guilt and grief, as she is manipulated into the sort of betrayal that shattered Lily’s life.

A gripping thrill ride that’s also a thoughtful coming-of-age story. 

Pub Date: May 8, 2012

ISBN: 978-0-547-54859-3

Page Count: 384

Publisher: Houghton Mifflin Harcourt

Review Posted Online: April 8, 2012

Kirkus Reviews Issue: April 15, 2012

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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