by Jennifer A. Nielsen ‧ RELEASE DATE: Aug. 30, 2016
Predictable execution hampers what could have been an intriguing exploration of the mechanics of corruption
A baffling illness threatens a fantasy land.
Ani’s up in a tree picking a vinefruit when wardens capture her. She’s done nothing wrong, but the wardens say that the red stain on her arm from the vinefruit juice is a symptom of the Scourge, a deadly, contagious, always-fatal disease. It’s clearly a pretext: before they found her, Ani heard them mention their assignment to “come get” several people of Ani’s ethnic group. The River People—forbidden from voting or owning property, not bathing “often enough”—are a stereotypical blend of Romany and indigenous peoples. The ruling townsfolk, on the other hand, have no specified ethnicity and seem white. The governor diagnoses Ani and her best friend, Weevil, with the Scourge and sends them to the Colony, a quarantined island from which nobody returns. (Colony wardens, oddly, seem immune to the Scourge.) Ani and Weevil play Colony rabble-rousers, resisting unfair treatment and working to untangle the governor’s statement that “River People are the Scourge.” Nielsen provides two major plot twists, and both are robust and horrifying in content; however, the method and pace of divulging them are meandering and vague, lacking punch. Characters are stock, and the prose sometimes overexplains, even stretching beyond Ani’s first-person voice to reveal other characters’ emotions.
Predictable execution hampers what could have been an intriguing exploration of the mechanics of corruption . (Fantasy. 10-13)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-68245-9
Page Count: 368
Publisher: Scholastic
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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by Jack Gantos ‧ RELEASE DATE: Sept. 13, 2011
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)
An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”
The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)Pub Date: Sept. 13, 2011
ISBN: 978-0-374-37993-3
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Sheela Chari ‧ RELEASE DATE: May 30, 2017
A quick, agreeable caper, this may spark some discussion even as it entertains.
Myla and Peter step into the path of a gang when they unite forces to find Peter’s runaway brother, Randall.
As they follow the graffiti tags that Randall has been painting in honor of the boys’ deceased father, they uncover a sinister history involving stolen diamonds, disappearances, and deaths. It started long ago when the boys’ grandmother, a diamond-cutter, partnered with the head of the gang. She was rumored to have hidden his diamonds before her suspicious death, leaving clues to their whereabouts. Now everyone is searching, including Randall. The duo’s collaboration is initially an unwilling one fraught with misunderstandings. Even after Peter and Myla bond over being the only people of color in an otherwise white school (Myla is Indian-American; mixed-race Peter is Indian, African-American, and white), Peter can’t believe the gang is after Myla. But Myla possesses a necklace that holds a clue. Alternating first-person chapters allow peeks into how Myla, Peter, and Randall unravel the story and decipher clues. Savvy readers will put the pieces together, too, although false leads and red herrings are cleverly interwoven. The action stumbles at times, but it takes place against the rich backdrops of gritty New York City and history-laden Dobbs Ferry and is made all the more colorful by references to graffiti art and parkour.
A quick, agreeable caper, this may spark some discussion even as it entertains. (Mystery. 10-12)Pub Date: May 30, 2017
ISBN: 978-1-4197-2296-7
Page Count: 272
Publisher: Amulet/Abrams
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
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