A provocatively progressive declaration.
The director of communications for Hillary Clinton’s 2016 campaign offers a manifesto for American women seeking empowerment outside patriarchy.
When Clinton lost the election, her setback mirrored the situation for all American women seeking to shatter professional glass ceilings. As Palmieri observes, “the professional world belongs to men, and women are only visitors.” In this follow-up to Dear Madam President (2018), the author creates a modern declaration of independence in 13 sections that draw on feminist history, current events, and her own experiences as a working woman. Each chapter begins with a “proclamation” that rejects "truths" about women created by patriarchy: for example, that only "a limited number of women…can succeed in the world and that the professional advancement of women is a zero-sum game,” or that females must silence themselves in order to be accepted. Palmieri suggests that events and trends like the 2017 Women’s March on Washington, the #MeToo movement, and the unprecedented numbers of women attaining political office in the last two years reveal an increased, vocal desire to “even out the power dynamic between men and women.” Furthermore, the rise to prominence of older, more experienced women disparaged by patriarchy (and also represented by Clinton) can only benefit society. Indeed, Palmieri asserts that midlife has been nothing but productive and “exhilarating” for her. But because American society is governed by the rules of men, women’s continued efforts to better their status have still not achieved the social parity for which such feminist foremothers as Elizabeth Cady Stanton and Alice Paul fought. Inclusivity is at the heart of Palmieri’s "declaration," which she asserts is an attack against patriarchal systems rather than individual men. Inspiring and invigorating, this brief, sharp call to action cries out for continued feminist action in order to create an American society based on “equality for all.”
A provocatively progressive declaration.Pub Date: June 23, 2020
ISBN: 978-1-5387-5065-0
Page Count: 208
Publisher: Grand Central Publishing
Review Posted Online: April 4, 2020
Kirkus Reviews Issue: May 1, 2020
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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