by Jennifer Potter ‧ RELEASE DATE: June 1, 2011
A beautifully produced exploration into the cultural history of the rose.
It's hard to imagine a 500-page book dedicated solely to roses that isn't comprised primarily of prints. British horticultural historian Potter (Strange Blooms, 2008, etc.) has dug deep into the roots of rose history and produced an admirable dissection of all that the rose signifies now and throughout history. Transporting readers around the world—from ancient Greece to Europe to China to the United States—the author attempts to answer a very complex question: "Why the rose?" Readers will find her answers as multilayered as the rose itself. The flower, she argues, has been around for a long time (we have rose fossils as evidence); it appears in a great variety of climates and locations; and it is, quite simply, beautiful. By studying works of art from Sappho to Shakespeare to Gertrude Stein—she even throws in references to contemporary American films—Potter unearths what the rose has meant to different cultures. Innocence, sex, politics and the afterlife—to name just a few associations the rose inspires—may explain the flower's continued popularity, she suggests. The glossy paper and superb prints make this book ideal for gift-giving, although its greatest appeal will be to serious rose aficionados and even art historians. Historically lush, detailed study of the world's favorite flower.
Pub Date: June 1, 2011
ISBN: 978-1-84887-834-1
Page Count: 560
Publisher: Trafalgar Square
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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by Emma Bland Smith ; illustrated by Jennifer Potter
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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