by Jennifer Potter ‧ RELEASE DATE: March 6, 2014
Though Potter is occasionally too thorough in her information, anyone who has ever planted a seed or loved a flower can...
Botanical writer Potter (The Rose, 2011) examines the rich history of “the flowers of healing; of delirium and death; of purity and passion; of greed, envy and virtue; of hope and consolation; of the beauty that drives men wild.”
Going back to evidence of roses more than 35 million years ago, the author traces the beginnings and great influences of that iconic flower, as well as the lotus, lily, opium poppy, sunflower, tulip and orchid. While English gardeners will benefit more from the author’s deep discussion of various species, most other readers will enjoy the luscious botanical descriptions. The earliest descriptions of plants predate Swedish botanist Carl Linnaeus’ 18th-century binomial nomenclature and were often misnamed. For example, the fleur-de-lis is not a lily but rather a flag iris, and water lilies aren’t really lotuses. In addition to the power of flowers to speak metaphorically, Potter explores their influence on art, literature and especially the medicinal arts. The opium poppy has 40 alkaloids, including codeine and morphine, while the lovely tulip has no use as either nourishment or medicine. Even so, tulip fever led to the financial ruin of thousands in 17th-century Holland. Globalization of different species of flowers began with Alexander the Great, whose army carried plants to their new conquests, and the Romans continued the spread. The trade routes, especially the Silk Road, transferred even more specimens, as did the plant hunters of the British Empire. The spread of the opium poppy can be laid at the feet of the British, as they fought the opium wars to be allowed to export the opium they grew in India to China.
Though Potter is occasionally too thorough in her information, anyone who has ever planted a seed or loved a flower can appreciate the author’s knowledge and devotion.Pub Date: March 6, 2014
ISBN: 978-1-4683-0817-4
Page Count: 304
Publisher: Overlook
Review Posted Online: Jan. 3, 2014
Kirkus Reviews Issue: Jan. 15, 2014
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by Emma Bland Smith ; illustrated by Jennifer Potter
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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