by Jennifer San Filippo ‧ RELEASE DATE: Nov. 10, 2020
Half fantastical coming-of-age; half notes for a geography report.
In a world where the elements are controlled by magical Songs, one young woman struggles to rescue her sister.
Miren had always hoped to be a Fire Singer, but it was Kesia, her frail younger sister, who manifested the Voice. When their country forces every Singer into the military, Miren convinces Kesia to hide her gift…only for Kesia to be kidnapped by pirates. Miren will do anything to save her, even join forces with her sister’s naïve noble boyfriend and a family of runaway indentured servants. The narrative alternates between each sister’s perspective but feels more like two different books: one, Kesia’s harrowing life as a slave, relieved at first by her wonder at the airship she helps fly but even more by her discovery of her own capabilities; the other, Miren’s tedious accounts of arguments about logistics, topography, and political structures among a large group, all of whom she regards with coldness and contempt. The world is exceptionally well defined, although details of the magical system are mostly hand-waved away. Once the separate storylines finally intersect and immediate crises are averted, so much is left unresolved that a sequel seems inevitable. Singers lose their speaking voices and communicate using universally understood phonetic signs that appear to be transcriptions of spoken speech rather than a separate language. Characters seem to be White by default.
Half fantastical coming-of-age; half notes for a geography report. (Fantasy. 12-18)Pub Date: Nov. 10, 2020
ISBN: 978-1-328-48919-7
Page Count: 368
Publisher: Clarion Books
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 1, 2020
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by Isabel Ibañez ; illustrated by Isabel Ibañez ‧ RELEASE DATE: Nov. 5, 2024
A thrilling, beautifully written page-turner.
A young woman pursues a dangerous quest in late-1800s Egypt in this sequel to What the River Knows (2023).
After Inez Olivera was nearly murdered while assisting with her uncle’s archaeological expedition in Egypt, Tío Ricardo is eager to ship her home to safety in Argentina. But Inez burns with the need to stay and make sure that those who committed crimes against her family are held responsible. Unfortunately, the law precludes Inez, as a young unmarried woman, from accessing her inheritance (needed to fund her quest for justice) without her guardian uncle’s permission. Whitford Hayes, a former British soldier and her tío’s aide-de-camp, proposes marriage, which could solve her problems. But can Inez trust the secretive Whit? More danger and intrigue lurk at every turn in this exciting duology closer, which fully addresses the first entry’s jaw-dropping cliffhanger. The well-paced plot encompasses many fresh, new adventures and betrayals in this reimagined historical setting in which ancient magic abounds and not everyone or everything is what it seems. Even more captivating, however, is the complicated, nuanced love story between Whit and Inez. Their chemistry sizzles, but their relationship is achingly layered with both profound loyalty and deep deception. As their journey unearths new enemies and priceless archaeological finds, the duo must try to trust each other enough to survive.
A thrilling, beautifully written page-turner. (cast of characters, map, timeline) (Historical fantasy. 14-18)Pub Date: Nov. 5, 2024
ISBN: 9781250822994
Page Count: 400
Publisher: Wednesday Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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