An intriguing but uneven debut.
Savran Kelly draws parallels between 20th- and 21st-century queer history in her first novel.
Dawn Levit is experiencing a quarter-life crisis. She moved to New York after graduating from college, but she arrived just a few months after 9/11, and the city has been transformed by wreckage, debris, and displays of xenophobia. She’s an aspiring artist, but she’s out of ideas. And her relationship with a musician named Lukas is foundering as their gender identities and physical desires are increasingly out of sync. He wants her to be more masculine than she feels; she wants penetrative sex he is unwilling to provide. Her job repairing rare books at the Met is the only aspect of her life that is uncomplicated—or mostly uncomplicated. It’s while she’s rebinding a water-damaged text that she finds a message written on the cover of a vintage lesbian pulp novel—a cover showing a woman holding up a mirror and seeing a man’s face. Her search for the woman who wrote this note leads her to Gertrude Kleber, who left Nazi Germany for New York, where her father worked as a bookbinder. There are parallels between the two women’s lives. In the 1950s, Gertrude had to hide her attraction to other women. As she comes to discover that she feels neither fully feminine nor fully masculine, Dawn finds herself shunned by both lesbians and gay men. And, just as Gertrude found a way to express herself, Dawn launches a collaborative project that makes her feel like an artist again. Gertrude and her friends—the Sapphic Warriors—write and bind stories depicting “the joyful lives we wished we could live” and tucked them inside the dime-store novels that depicted lesbians as tragic deviants. Dawn creates a book-as-installation in which artists imagine a New York in which everyone is free to be their own unique gender. The narrative suffers from slow pacing, a protagonist who is spectacularly self-absorbed and kind of a jerk (she lies to Gertrude about why she tracked her down), and from the fact that Gertrude’s story is so much more interesting than Dawn’s. It is, nevertheless, a salient reminder that there was a time when the word nonbinary was virtually unknown.
An intriguing but uneven debut.Pub Date: Feb. 7, 2023
ISBN: 978-1-643-75184-9
Page Count: 336
Publisher: Algonquin
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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