Kids can make a difference, which Lola proves with gusto.
“¡Si se puede!”
A day in the life of a young Dolores Huerta is imagined in this story of activism. Lola helps Mama run the Hotel Delano. She delivers fresh towels, washes windows, and sets the dinner table—the only thing she can’t seem to do is stop talking! Her grandfather calls her “Lolita Siete Lenguas” (“Little Lola, Seven Tongues, all fighting to be heard”) and tells her, “For now, you must be quiet” but adds, “Sometimes one strong voice is just what we need.” When Lola, looking out her window, spots a woman and a girl getting kicked off the cable car for being unable to pay, she knows she must act. Remembering her mother’s admonition to fix a problem when it arises rather than pretending it isn't there, she races downstairs to welcome them into the hotel. Lola grows up to be a tireless advocate for farmworkers’ rights and uses her “seven tongues” to fight for social justice causes. This uncomplicated story will encourage readers to speak up when they see someone in need. Warm illustrations give characters—depicted in various shades of brown—a friendly tone. In an author’s note, Torres explains that while this incident was imagined, the story is inspired by Huerta’s childhood; Torres also provides details of Huerta’s iconic labor organizing work. (This book was reviewed digitally.)
Kids can make a difference, which Lola proves with gusto. (Picture book. 5-8)Pub Date: Aug. 9, 2022
ISBN: 978-0-316-53012-5
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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