Though it feels a bit like the literary equivalent of an after-school special for adults, Weiner does a good job of...
A 39-year-old suburban mom turns to prescription painkillers to manage the compounding stresses of her downwardly mobile existence, her troubled marriage, her difficult 5-year-old daughter and her father’s descent into Alzheimer’s-related dementia.
Allison Weiss is a blogger at a Jezebel-like site called Ladiesroom.com and is largely responsible for supporting her family as her reporter husband’s salary shrinks in the wake of the implosion of the newspaper industry. Certain aspects of Allison’s writing career mirror facets of Weiner’s (The Next Best Thing, 2012, etc.) own public battles against sexism in the media and publishing industries. Allison wonders whether or not to use the term “strident” to describe another woman, and after her picture appears in a Wall Street Journal article, the comments sections is barraged by disparaging remarks about her weight and appearance. Unhappy in the large house in an upscale Philadelphia suburb chosen by her husband, Allison develops a pill problem, starting with pain meds prescribed for a bad back. Before she knows it, she's juggling several doctors to feed her habit, requiring larger and larger doses, and eventually turning to an illegal website to place her orders. Weiner manages to postpone the inevitable train wreck for a few hundred pages, as Allison dismisses and denies her addiction, comparing herself favorably to stereotypical junkies, whose lives are so different from her upscale Whole Foods and private-school existence that she can pretend there is no connection. Weiner relies on brand names as class signifiers; the other moms at her daughter’s school wear Lululemon workout clothes, Seven for All Mankind jeans, and carry Petunia Pickle Bottom diaper bags. Even after entering rehab, Allison’s denial of her problem and inability to identify with lower-class addicts from broken homes carries on for another hundred pages or so before the inevitable revelations set in.
Though it feels a bit like the literary equivalent of an after-school special for adults, Weiner does a good job of describing the mindset of the addict and provides a realistic portrayal of upper-middle-class addiction in a novel that will appeal to her many fans.Pub Date: June 17, 2014
ISBN: 978-1-4516-1778-8
Page Count: 416
Publisher: Atria
Review Posted Online: March 28, 2014
Kirkus Reviews Issue: April 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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