Unclassifiable and unforgettable.
The author of Make Your Home Among Strangers (2015) delivers a stunning second novel.
In this captivating narrative, Crucet immerses readers in the life of Ismael Reyes, a young man trying to come to terms with his Cuban heritage and the truth about his mother while navigating both the glamour and the danger of Miami. This is one way to describe this novel, and it’s not wrong. But neither is it quite right. What this summary leaves out is that Izzy needs to find another job, since lawyers have informed him that impersonating the rapper Pitbull at parties is not a viable career choice, and that, confronted by this impasse, he has decided to model his life on Tony Montana, as portrayed by Al Pacino. While savvy readers may have guessed the Scarface connection from the title, it seems safe to assume that few will anticipate the role that Lolita—an orca imprisoned in a tiny tank in the Miami Seaquarium—plays in Izzy’s life. Indeed, to call this a novel about Izzy at all is maybe to miss the point. Is Lolita a supporting player in Izzy’s story, or is he a supporting character in hers? One thing that should be clear by now is that Crucet isn’t interested in presenting a straightforward narrative, one with a beginning, a middle, and an end. For both Lolita and Izzy, the beginning never ends. Lolita spends many lonely decades remembering what it was like to be part of a community. Izzy’s need to know how he got from Cuba to the United States when he was 7 overrides his instinct for self-preservation. And Crucet fills a whole chapter listing Miami cliches that a novel such as hers should maybe contain more of—cigars, thongs, music, food smells, color—while also asking if we’re looking for Pitbull Miami or Miami Vice Miami, because they are not the same, and neither one is the real Miami. None of this is to say that Crucet sacrifices story for postmodern flourishes. Both Ismael and the whale are singularly compelling characters, and both will break your heart.
Unclassifiable and unforgettable.Pub Date: March 5, 2024
ISBN: 9781668023327
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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