by Jenny Diski ‧ RELEASE DATE: Sept. 1, 2009
Though Diski sounds melancholy notes (“young is a phase the old go through”) and closes on a note of resignation, her...
A slender meditation on the 1960s—part of Picador’s Big Ideas/Small Books series.
British novelist/memoirist Diski remembers the ’60s very well. If her British experiences do not always line up with those of Americans, there are abundant parallels. “The Sixties,” she writes, “were an idea in the minds, perhaps even more powerful than the experience, of those who were actually living through them.” In her experience, that idea broke down into many compartments, including the intellectual and artistic. She recounts being turned on to the works of Ginsberg and Kerouac, of course, but also Hardy, Dostoyevsky, Neruda, Joyce, Brecht, Weill and Beethoven, as well as Buddy Holly and the Beatles (“though I was disdainful until Rubber Soul came along”). The idea was political as well, and here Diski is particularly sharp, noting the apparent ingratitude of a generation whose parents suffered depression and war only to raise children who would reject the world that had been made for them. But only for a while. Diski is also sharp—and sharp-edged—about the rise of an entirely different mode of being in the ’70s and ’80s, when ecstatic hippies became egomaniacal yuppies and the politics became truly ugly, as all the government-off-our-backs rhetoric of the antiwar movement converted into the self-serving Hobbesianism of the libertarian crowd. An overreliance on drugs didn’t help, but it didn’t hurt as much as the just-say-no types would have it, either. Writes the author, for the benefit of the uninitiated, “What happened when you smoked a joint and to a far greater extent when you dropped acid was that the world outside your head was utterly changed.”
Though Diski sounds melancholy notes (“young is a phase the old go through”) and closes on a note of resignation, her elegant book might inspire readers—and not just those who were there—to try to remake the era anew.Pub Date: Sept. 1, 2009
ISBN: 978-0-312-42721-4
Page Count: 176
Publisher: Picador
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2009
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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