by Jenny Jägerfeld ; translated by B.J. Woodstein ‧ RELEASE DATE: Feb. 27, 2024
Too much chaff, not enough wheat.
Marcus makes a best friend who doesn’t know that Marcus is trans.
Eleven-year-old Marcus is visiting Malmö, Sweden, with his mom for the summer. Away from his home in Stockholm, Marcus can be himself, without telling anyone that he’s transgender. He meets Mikkel, a rowdy boy a little older than him, and they quickly become close friends. But when Mikkel sees Marcus’ pre-transition passport photo, he feels lied to and betrayed. The basic plot is recognizable from decades-old trans media but transposed onto tween boys, luckily with a happy ending. Narrating in a frank, breathlessly fast manner, Marcus is a likable protagonist, though his voice doesn’t always feel realistically adolescent. While the book attempts to present a message of acceptance toward trans people (as well as a lesson about not judging people with other dialects, a holdover from the original Swedish that will fly over most young American readers’ heads), the storyline is cliched and inadvertently implies that Marcus did something wrong by not initially sharing that he’s trans. Several insensitive moments crop up, such as Marcus referring to his soft-spoken babysitter, who apparently has obsessive-compulsive disorder, as a “crazy, half-mute person.” The story of the boys’ developing friendship does shine out from underneath, but it’s not worth digging to find it.
Too much chaff, not enough wheat. (Fiction. 10-13)Pub Date: Feb. 27, 2024
ISBN: 9781646900404
Page Count: 150
Publisher: Arctis Books
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
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BOOK REVIEW
by Jenny Jägerfeld ; translated by Susan Beard
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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More In The Series
by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
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by Soman Chainani ; illustrated by RaidesArt
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by Soman Chainani ; illustrated by RaidesArt
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by Soman Chainani ; illustrated by Julia Iredale
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BOOK TO SCREEN
by Elinor Teele ; illustrated by Ben Whitehouse ‧ RELEASE DATE: April 12, 2016
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Elinor Teele
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