A compendious, wide-ranging collection of sharp, thoughtful essays.
A sparkling collection of essays about the controversial novel.
Lolita is personal for Minton Quigley, a writer, editor, and daughter of Walter Minton, the Putnam president who first published the novel in the U.S. in 1958. Like many of the contributors, actor Emily Mortimer wonders if a novel about the sexually explicit confessions of a middle-aged pedophile could be published today. In “Véra and Lo,” Stacy Schiff incisively explores the significant role of Nabokov’s wife, who “stood as the firewall between” her husband and Humbert Humbert in the book’s genesis and reception. Roxane Gay explores why Lolita, with its “tension between the beauty of the novel and the ugliness of its subject matter,” is a “book I love and hate in equal measure.” Crime novelist Laura Lippman writes that she’s “always approached Lolita as a detective story,” revealing Clare Quilty as “our culprit, hidden in plain sight.” Lauren Groff considers the “ways in which Nabokov sets out to seduce his readers,” and Sloane Crosley considers Lolita’s impact on popular culture. “In the new millennium,” she writes, “Lolita is a lazy euphemism for any relationship between a younger woman and an older man.” Jessica Shattuck gives voice to Charlotte Haze, Lolita’s mother, and Mary Gaitskill confronts the thorny issues of art, love, and morality. Zainab Salbi bemoans the situation of women in Iraq, where “Humbert Humbert is not some fictional character but a living one, and his right to have sex with underage girls is established both religiously and thus far politically.” Readers will also learn how Stanley Kubrick transformed the novel into what Tom Bissell describes as a “ferociously psychological” film and why, as Christina Baker Kline explains, we read Lolita for its language, characters, humor, pathos, and, yes, “its unsettling depiction of a sociopath.” Other contributors include Alexander Chee, Ian Frazier, Morgan Jerkins, Andre Dubus III, and Aleksandar Hemon.
A compendious, wide-ranging collection of sharp, thoughtful essays.Pub Date: March 16, 2021
ISBN: 978-1-984898-83-8
Page Count: 448
Publisher: Vintage
Review Posted Online: Dec. 18, 2020
Kirkus Reviews Issue: Jan. 15, 2021
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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