Another triumph for England’s most innovative biographer, and a marvelous treat for fans of Bewick’s beguiling work.
A wonderful portrait of the man whose exquisite woodcuts of landscapes and creatures reflected the essence of British rural life.
Uglow (The Lunar Men, 2002, etc.) brings us deep into the Northumberland countryside along the Tyne, where Thomas Bewick (1753–1828) grew up. A truant with a gift for drawing and a penchant for close observation of nature, he apprenticed himself at 14 to a Newcastle engraver and began a lifetime of etching on wood. By day, Bewick, and later his apprentices, handled commercial orders for engraving on mugs, coffin plates, posters and bar bills. In his spare time, he worked painstakingly on lively borderless woodcuts for such celebrated books as The Quadrupeds and History of British Birds, which found an eager audience among both children and adults. Woodcuts from Bewick’s workshop illustrated some 750 children’s books, religious tracts and other volumes published between 1770 and 1830. His circus posters, with ballet riders on horseback turning somersaults or hanging from the saddle, also delighted his countrymen. Working with his own tools—James Audubon noted their unusual delicacy—Bewick transformed the hitherto humble medium of the woodblock into an art, producing accurate images of birds and animals in an era increasingly enamored of natural history but lacking color photography. Uglow’s detailed account covers Bewick’s family life and political involvements, but she really shines when evoking the engraver’s bracing country walks, his affection for farmers and other locals and his passion for wildlife, all of which informed his work. We see him in his workshop working the wood, perfecting techniques that created a school of followers. An unabashed admirer, the author writes of Bewick’s “instinctive sympathy and astonished awe at the beauty of living things,” and we see it for ourselves in the book’s many illustrations.
Another triumph for England’s most innovative biographer, and a marvelous treat for fans of Bewick’s beguiling work.Pub Date: June 12, 2007
ISBN: 0-374-11236-3
Page Count: 480
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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