Inspired and sensitive storytelling that will help little ones make sense of a potentially disturbing topic.
Two siblings must learn to be fierce in the face of a frightening new foe.
A boy and his little sibling (who narrates this story) love pretending to be lions—they roar and hunt and stalk the savanna. Until one day, big brother lion does not feel well and has to go to the doctor. Big brother must go to the hospital, where he looks like a caged lion surrounded by tubes and equipment. His mane begins to fall out, and he misses his pride. Playing at being lions helps the younger sibling grapple with their elder brother’s serious illness as patients in hospital hallways are, through the magic of imagination, transformed into the beasts of sub-Saharan Africa. In Lucander’s chaotic illustrations, dramatic overhead angles brilliantly evoke the turmoil this family confronts; in many scenes, objects are askew, and the parents look drawn and worried. Collage art brings to life the siblings’ vivid imagination as they race into the savanna to escape their troubles. Unsentimental yet brimming with emotion, Mattsson’s matter-of-fact text, translated from Swedish, makes the idea of childhood illness somehow more comprehensible to both adults and kids. While the story ends with the older sibling still sick in bed, it ends on a note of hope: “Soon we’ll go hunting again.” The siblings and their father are tan-skinned; their mother is lighter-skinned. (This book was reviewed digitally.)
Inspired and sensitive storytelling that will help little ones make sense of a potentially disturbing topic. (Picture book. 4-8)Pub Date: March 7, 2023
ISBN: 9781773067018
Page Count: 32
Publisher: Groundwood
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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