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A MIRROR FOR THE BLIND

REFLECTIONS OF A DIGITAL SEOUL

A moving and meditative account of the crushing demands of Korean careerism.

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In Jeong’s novel, a group of recent Korean college graduates navigate the unyielding competitiveness that permeates both professional and personal life.

Youngbaek Kim has much to be proud of—after he graduates from the prestigious Sky University, he lands a job at Corporation P, the second biggest company in Korea. However, he is plagued by discontent; he studied philosophy in college and feels stymied by the tediously banal routines of office life. Also, he constantly frets about money—it seems impossible that he will ever save enough to buy a home that others will be impressed by, and he fecklessly tries his hand at investment. His friends, Dongjoo Lee and Inyoung Choi, both seem much happier and much better positioned to win the endless rat race that dominates their lives. Dongjoo Lee is a programmer at the top corporation in Korea and handsomely compensated, while Inyoung Choi has a job in the civil service, a position coveted for its stability. However, they are both just as anxious about the future as Youngbaek, and as envious of him as he is of them. The author artfully depicts the Korean obsession with success and a society that strictly separates winners and losers through a process of “verification.” “Verification became a source of envy with everyone trying to take the successes of those around them and spin them as their own. It is high school all over again, with students using Photoshop to falsify their college entrance exam scores to receive verification from the community.” Youngbaek sees a chance at happiness when he becomes engaged to Jungyoon, a woman with whom he falls deeply in love—but her mother talks her out of it, convincing her that she and Youngbaek “just aren’t in the same league,” and that she can find someone with better financial prospects.

Jeong’s tale is impressively thoughtful—he reflects, with great clarity, on the ways in which Korea’s socioeconomic liberalization discarded one prohibitive hierarchy for another. As Youngbaek observes, “There are always more stairs to climb. Stairs upon stairs upon stairs...I guess Korea’s ancient class system of endless hierarchies, has really only changed in name. It will continue to loom over me and on to future generations. Still, climbing endless stairs is different from the impossibility of climbing up a family tree.” Friendships are almost necessarily converted into rivalries, and romantic connections are reduced to opportunities for social climbing, each date conducted in a metaphorical “interrogation room.” The author’s writing has a lapidary elegance to it—he subtly creates an atmosphere of melancholy and sad inevitability, as if there is no escape from the cultural pressures of Korean life. The plot moves at an unhurried pace, which can seem excessively languorous, and there is more than a touch of adolescent melodrama in Youngbaek’s tortured angst—a self-indulgent theatricality that borders on ponderousness. Still, Jeong’s depiction of Korean life, especially as experienced by its younger generation, is marvelously meticulous and rendered with great emotional power.

A moving and meditative account of the crushing demands of Korean careerism.

Pub Date: Sept. 7, 2023

ISBN: 979-1198200242

Page Count: 226

Publisher: METRIC

Review Posted Online: Oct. 26, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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