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PLANTZILLA

“Little Shop of Horrors” for the teddy bear set? Not at all, despite similarities: in this warmhearted tale, a tropical plant with a taste for meat goes from scary houseguest to beloved family member. Nolen (Max and Jax in Second Grade, p. 342, etc.) sketches the plot in a series of letters from young Mortimer Henryson and his parents to Mortimer’s science teacher, Mr. Lester. Having sat next to “Plantcilia” all through third grade, Mortimer begs permission to bring it home for the summer, but after it proves to be both mobile and carnivorous (the family Chihuahua vanishes), his mother is beseeching Mr. Lester to take it back. With characteristic comic extravagance, Catrow (We the Kids, p. 564, etc.) fleshes out the details in a series of frenetic scenes increasingly crowded with long, snaky tendrils, ragged leaves, and bulbous green appendages with ominously toothy rims. As the summer goes on, however, Plantzilla proves less a menace than an eager asset, as capable of playing field hockey with Mortimer as jazz for his boogying parents—even spitting out the unharmed dog and, ultimately, writing a letter of its own: “PEEEple Gooood. I wil sta widdem fro ever!” Readers, plant-lovers or otherwise, will find this vegetative visitor taking root in their affections too. (Picture book. 6-8)

Pub Date: Sept. 1, 2002

ISBN: 0-15-202412-3

Page Count: 32

Publisher: Silver Whistle/Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2002

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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BUBBA, THE COWBOY PRINCE

A FRACTURED TEXAS TALE

A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)

Pub Date: Nov. 1, 1997

ISBN: 0-590-25506-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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