by Jeremiah Moss ‧ RELEASE DATE: July 25, 2017
Maddening if you’re not mega-wealthy, and a vigorous, righteously indignant book that would do Jane Jacobs proud.
The Big Apple is morphing into a class-war amusement park for the very rich. Thus this irate argument for remaking it into a city for the rest of us.
Like climate change, writes pseudonymous New York Daily News editorialist and blogger Moss, hypergentrification is both a fact and a human-caused artifact and, therefore, can be halted. The hypergentrification of New York, in particular, “gentrification on speed, shot up with free-market capitalism,” is producing a safe, arid, sterile, uniform city, a place in which the old bohemian mecca has been overwhelmed by “luxury condo towers, rampant greed, and suburbanization.” If that seems a touch hyperbolic, then the author is happy to own up to the adjective, noting, derisively, that New York may not be altogether dead, if “dying” is a substitute word that will make his critics happier. Moss traces this process to the urban renewal programs of the New Deal, when tenements were scraped away in the apparent hope that poverty would disappear with them. Robert Moses “flattened neighborhoods where the vast majority of people were working class and nonwhite,” while Ed Koch ushered in the “me decade” of the 1980s, Rudy Giuliani swept the streets by force in the ’90s, and Michael Bloomberg oversaw the post–9/11 transformation of the city into the province of the very rich in a program that Moss calls “the apotheosis of neoliberal ideology.” Happily, the jargon mostly gives way to plainspoken language of anger at the disappearance of places like the old Times Square, where visitors are now “anesthetized in the greasy glow” of fast food and big-screen TVs. The sitting president figures in the tale, too, as a public-funds moocher of the first water. Moss closes with notes on remaking New York so that less moneyed, less well-connected residents enjoy the same “right to the city” as his greedy villains.
Maddening if you’re not mega-wealthy, and a vigorous, righteously indignant book that would do Jane Jacobs proud.Pub Date: July 25, 2017
ISBN: 978-0-06-243969-7
Page Count: 464
Publisher: Dey Street/HarperCollins
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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