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BORN IN SPACE

UNLOCKING DESTINY

A profound and full-bodied futuristic story of love, technology, and infinite outer space.

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Clift’s SF series starter tells a tale involving laboratory-born children and an ancient relic.

In the mid-21st century, billionaire Howie Rich sends two rotating space habitats into low Earth orbit: Quivira and Halona. He decides that Noel Ward, an Arizona-based professor of planetary sciences, and his teenage daughter, Teagan, are needed on Quivira. The problem is that Noel hasn’t applied to move there, so Howie sends thugs to the Wards’ house to give them a “push” to consider relocating. Once Noel and Teagan do so, a scientist encourages Teagan and other girls to donate their eggs, which are used to grow seven “experimental babies.” Elsewhere, Teagan’s older brother, Hunter, after graduating from the space academy, has a very unexciting assignment: clearing space debris. However, his gig unexpectedly leads to his discovery of a vision-inducing crystal and a mysterious ship containing two dead space travelers who appear to be aliens. Meanwhile, Teagan and scientists disagree about whether a couple of the “Magnificent Seven” children are actually her “twins.” Her determination to take them away—and be the mother she dreams of being—lands her in a secure, prisonlike facility. Noel and Teagan’s mother, Clara, a botanist overseeing a seed-bank project on the moon, put together a rescue mission. As the Wards soon learn, Teagan is a very special young woman with a startling ability. It also turns out that other beings are looking for a lost crystal stone—not unlike the one Hunter found, and which other greedy people aim to steal.

Clift’s epic tale introduces a large cast and places them in a variety of delightful subplots. For example, a Chinese general seeks revenge years after her country lost the Great Cyber War; artist Julian Trace romances Teagan when she’s on Halona; and Nevaeh, one of Teagan’s children who becomes a scientist, vows to track down her mother. So many of these characters are unpredictable; even seemingly minor players (including space pirates) have significant impacts on the main plot or follow surprising narrative paths, such as one of the Seven who becomes separated from the others. All of this fuels a story that rarely slows down and covers several decades, ultimately ushering in the 22nd century. Clift’s shrewd writing loads the book with SF tech (microbots, medibots, policebots) and engaging touches based in science fact, including humans’ reliance on artificial intelligence and the moon’s relentless, machine-jamming regolith dust. There are myriad stellar set pieces, as when Hunter tries to deflect a meteor while piloting a spaceship: “He braced himself as a giant, crunching shudder rocked the capsule….The impact was brutal, throwing the ship and crew about like rag dolls. But the Sweeper, built to take hits from space junk, withstood the battering.” Still, the human element prevails in extraordinary fashion; there’s a strong theme of family as careers separate the Wards but don’t fray their ties, and Nevaeh and Teagan remain determined to find each other. Even humanoid bots interact just like their human counterparts.

A profound and full-bodied futuristic story of love, technology, and infinite outer space.

Pub Date: May 23, 2024

ISBN: 9798990010703

Page Count: 441

Publisher: N/A

Review Posted Online: June 27, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MINISTRY OF TIME

This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.

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A time-toying spy romance that’s truly a thriller.

In the author’s note following the moving conclusion of her gripping, gleefully delicious debut novel, Bradley explains how she gathered historical facts about Lt. Graham Gore, a real-life Victorian naval officer and polar explorer, then “extrapolated a great deal” about him to come up with one of her main characters, a curly-haired, chain-smoking, devastatingly charming dreamboat who has been transported through time. Having also found inspiration in the sole extant daguerreotype of Gore, showing him to have been “a very attractive man,” Bradley wrote the earliest draft of the book for a cluster of friends who were similarly passionate about polar explorers. Her finished novel—taut, artfully unspooled, and vividly written—retains the kind of insouciant joy and intimacy you might expect from a book with those origins. It’s also breathtakingly sexy. The time-toggling plot focuses on the plight of a British civil servant who takes a high-paying job on a secret mission, working as a “bridge” to help time-traveling “expats” resettle in 21st-century London—and who falls hard for her charge, the aforementioned Commander Gore. Drama, intrigue, and romance ensue. And while this quasi-futuristic tale of time and tenderness never seems to take itself too seriously, it also offers a meaningful, nuanced perspective on the challenges we face, the choices we make, and the way we live and love today.

This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.

Pub Date: May 7, 2024

ISBN: 9781668045145

Page Count: 352

Publisher: Avid Reader Press

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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