An engaging and often lighthearted take on the nuances of relationships.
Dorfman offers a study of tenuous connections between several coworkers at a school-portrait company in this episodic novel.
A man named Blake works for a company called SmilePosts, a company that takes official class photos for elementary schools. Readers meet him as he breaks down crying in front of a very confused fourth grader. This might not seem like the setup for a character-driven soap opera of epic proportions, but that’s what the work becomes. Blake remains as the narrator throughout, even as the book focuses on different SmilePosts employees in each of three sections, and there is a host of secondary characters that readers also get to know and love. Linda and Ed’s friendship crosses the line into an emotional affair; Linda is divorced and struggles with infertility, while Ed tries to convince himself that a stale marriage is worth it for the stability. Dana and Ethan’s brief romantic entanglement forces them both to grow up as her reality as a teenage mother clashes with his spoiled stoner persona. The narrator finally gets his own section in the last third of the book, in which Blake examines how his perpetual optimism in his early 20s is souring as he approaches 30. This self-reflection effectively piggybacks on the story of his growing friendship with fellow employee Josie and his attraction to another one of his coworkers, Hailey. As the book winds to a close, Blake has seemingly disclosed all of the twists and turns and secrets of his colleagues—but then he reveals a twist that may lead some readers to audibly gasp. Overall, this novel presents a series of compelling character sketches with wry humor and heartfelt revelations. Along the way, it also manages to tackle difficult topics with a surprising earnestness, including unwanted pregnancy, faith, and self-harm.
An engaging and often lighthearted take on the nuances of relationships.Pub Date: Aug. 15, 2022
ISBN: 979-8985579116
Page Count: 426
Publisher: Self
Review Posted Online: Oct. 24, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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