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THE COLLECTOR OF LOST THINGS

Page shapes a fascinating historical narrative and has moving insights into our sometimes-dubious relationship to the...

Eliot Saxby, the collector of the title and narrator of the book, heads for the Arctic in search of the elusive—and perhaps extinct—great auk.

The year is 1845, and Saxby makes his treacherous voyage on behalf of some English gentlemen who have a bet about whether there are any great auks that remain alive. Capt. Sykes is at the helm of the Amethyst, and he heads a crew of hardy and hardened sailors. Incongruously, also on the journey is one Edward Bletchley, an English gentleman, along with his cousin (or perhaps “cousin”) Clara, an attractive young woman. Sykes has been paid to veer off his usual course to accommodate the ornithological pursuit of the naturalist Saxby. Although one mystery in the novel obviously involves the search for the last of the great auks, another involves Saxby’s certainty that, 10 years earlier, he had gotten to know Clara under a different name, “Celeste,” when he worked for her father, though Clara has no recollection of ever having met Saxby. They form a bond, and both become greatly excited when they discover a small colony of great auks on a remote island. Excitement turns to outrage, however, when Sykes announces that he plans to kill the last of the birds and thus guarantee their extinction, and their skins will therefore be immensely valuable to collectors and museums. Saxby watches helplessly while Sykes’ crew methodically kills the auks, but he’s able to conceal an injured auk on board. He and Clara carefully tend the auk, feeding it and nursing it. Miraculously, the auk even lays an egg, assuring the further existence of the species, but Sykes and his duplicitous first mate, Quinlan French, turn out to know more than Saxby suspects.

Page shapes a fascinating historical narrative and has moving insights into our sometimes-dubious relationship to the natural world.

Pub Date: Dec. 15, 2013

ISBN: 978-1-60598-485-8

Page Count: 384

Publisher: Pegasus

Review Posted Online: Oct. 4, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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