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THE COLLECTOR OF LOST THINGS

Page shapes a fascinating historical narrative and has moving insights into our sometimes-dubious relationship to the...

Eliot Saxby, the collector of the title and narrator of the book, heads for the Arctic in search of the elusive—and perhaps extinct—great auk.

The year is 1845, and Saxby makes his treacherous voyage on behalf of some English gentlemen who have a bet about whether there are any great auks that remain alive. Capt. Sykes is at the helm of the Amethyst, and he heads a crew of hardy and hardened sailors. Incongruously, also on the journey is one Edward Bletchley, an English gentleman, along with his cousin (or perhaps “cousin”) Clara, an attractive young woman. Sykes has been paid to veer off his usual course to accommodate the ornithological pursuit of the naturalist Saxby. Although one mystery in the novel obviously involves the search for the last of the great auks, another involves Saxby’s certainty that, 10 years earlier, he had gotten to know Clara under a different name, “Celeste,” when he worked for her father, though Clara has no recollection of ever having met Saxby. They form a bond, and both become greatly excited when they discover a small colony of great auks on a remote island. Excitement turns to outrage, however, when Sykes announces that he plans to kill the last of the birds and thus guarantee their extinction, and their skins will therefore be immensely valuable to collectors and museums. Saxby watches helplessly while Sykes’ crew methodically kills the auks, but he’s able to conceal an injured auk on board. He and Clara carefully tend the auk, feeding it and nursing it. Miraculously, the auk even lays an egg, assuring the further existence of the species, but Sykes and his duplicitous first mate, Quinlan French, turn out to know more than Saxby suspects.

Page shapes a fascinating historical narrative and has moving insights into our sometimes-dubious relationship to the natural world.

Pub Date: Dec. 15, 2013

ISBN: 978-1-60598-485-8

Page Count: 384

Publisher: Pegasus

Review Posted Online: Oct. 4, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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