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GIRL ON FIRE

From the School for Extraterrestrial Girls series , Vol. 1

Engaging science fiction that is fiercely female-forward.

A studious girl’s regimented life is turned upside down when she learns she isn’t human.

Fifteen-year-old Tara Smith has always carefully followed her parents’ strictures—dutifully completing chores and assignments, routinely taking medications, and always wearing her mandated bracelet—even though kids at school call her weird. When she spontaneously combusts during class one day, she learns that she is a reptilian alien prone to impromptu self-immolation. She is assigned to the School for Extraterrestrial Girls, an all-girls establishment for aliens seeking to prove loyalty to Earth in order to remain there. Tara meets roommates Summer and Misako, who wear bracelets like Tara’s: This hides their true forms, showing only their human defaults. When Tara reacts badly to seeing Summer’s true tentacled form, she feels too ashamed to apologize. Tara then uncovers an uncomfortable truth about Misako: that her own race slaughtered nearly all of Misako’s lineage. She tries to hide this but is outed; how can she make things right with her roommates? Exploring racism, bias, and belonging, Whitley and Noguchi’s delightful, full-color graphic novel is almost exclusively female, and their characterizations, both main and secondary, encompass a varied spectrum of body types, skin colors, and cultural representations: Main character Tara has brown skin; Summer has light-brown skin and a tall, muscled physique; Misako has Asian features; and one professor is curvy and wears a headscarf while another dons a sari.

Engaging science fiction that is fiercely female-forward. (Graphic science fiction. 9-12)

Pub Date: Aug. 4, 2020

ISBN: 978-1-5458-0492-6

Page Count: 128

Publisher: Papercutz

Review Posted Online: May 16, 2020

Kirkus Reviews Issue: June 1, 2020

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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