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IN THE SHADOW OF KING SAUL

ESSAYS ON SILENCE AND SONG

A very personal view of the past artfully brought to vivid life.

Now entering his ninth decade, a prolific adventurer in fiction and nonfiction offers an amalgam of some of his favorite topics in 10 lively essays dating from 1978 through 2005.

In an introductory essay, Charyn (Winter Warning: An Isaac Sidel Novel, 2017, etc.) confesses to a passion for words and a lust for books. That will be no surprise to his many devoted readers. During high school and college, he writes, “I was discovering a wonderland of books—it was like plunging deeper and deeper into a rabbit hole….I began to build my own castle of Modern Library classics, with one bookcase piled upon another.” In the other essays, the author pays particular attention to the land of his birth, the Bronx, and its attendant mobsters. He remembers his family—a beautiful, troubled mother, an inattentive, illiterate father, a good police detective brother—mostly with affection. In his biblical exegesis, Charyn considers the feckless and fearful King Saul. Regarding literary matters, he expounds on the work of Saul Bellow, Lionel Trilling, the neglected Anzia Yezierska, and, most significantly, Isaac Babel. Charyn’s world includes Josh Gibson, the gentle and disturbed hero of the Negro Baseball League, and Krazy Kat, the androgynous hero/heroine of the great eponymous comic strip. The author also explores the history of Ellis Island before it was cleaned up as well as the life of the natty gangster Arnold Rothstein. Charyn’s New York is not E.B. White’s. His collected ruminations, rendered in an idiosyncratic style that frequently combines street jargon with Talmudic intricacies, speak of greenhorns and gangsters, of alrightniks and no-goodniks, bosses, “mooks” and “geeps.” His musings are populated by Babel’s Benya Krik and Bellow’s Augie March, and the leitmotif is the individual isolated in the world.

A very personal view of the past artfully brought to vivid life.

Pub Date: Aug. 28, 2018

ISBN: 978-1-942658-42-9

Page Count: 272

Publisher: Bellevue Literary Press

Review Posted Online: May 22, 2018

Kirkus Reviews Issue: June 15, 2018

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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