A thoughtful message, movingly yet unsentimentally presented by a physician alert to medicine’s human as well as its...
Doctor/author Groopman (Second Opinions, 2000, etc.) insightfully examines the nature of hope and the role it plays in recovery from illness.
Stories from his medical education and 30 years of practice reveal what New Yorker staff writer Groopman (Medicine/Harvard) has learned about the connections between hope and illness. He was still in medical school when an Orthodox Jewish woman confided in him that she believed her cancer was a punishment from God. “Well prepared for the science [but] pitifully unprepared for the soul,” Groopman was unable to reach out and give her the hope she needed to pursue a course of therapy. Then, as a young resident, he followed an older doctor’s lead in offering false hope to a terminally ill woman, a disturbing experience that subsequently led him to veer too far in the direction of hope-crushing cold facts as a specialist in oncology and hematology. Perhaps the most powerful story Groopman tells is about a professor of pathology who, in full possession of all the grim facts about his stomach cancer, nevertheless held onto hope, persisted in excruciating therapy, and survived. From his patients, the author observed that hope is at the very heart of healing, whether it derives from faith in God and belief in an afterlife or from a personal philosophy that gives meaning to life and mortality. The author’s personal experience of pain, frustration, and despair was also instructive. After suffering severe back pain for 19 years, Groopman followed the advice of a physician to seek relief by changing his beliefs about pain and acting on those new beliefs. Experiencing for himself the physical changes caused by regained hope, he began to question neurologists, experimental psychologists, and others about the biology of hope. He relates their discoveries here, going on to consider why some people can sustain hope but others cannot and clearly delineating the difference between false hope and true hope.
A thoughtful message, movingly yet unsentimentally presented by a physician alert to medicine’s human as well as its scientific side.Pub Date: Jan. 20, 2004
ISBN: 0-375-50638-1
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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