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THE ANGEL DOLL

A CHRISTMAS STORY

Cleanly written and nicely detailed Christmas story, not wholesale sentimentality, by true-crime writer Bledsoe (Before He Wakes, 1994, etc.). Back in the '50s in Thomasville, North Carolina, ``Whitey'' Black and the narrator (nameless), both newsboys and fourth- graders, become friends when they go halves on a paper route. Neither boy is well off. Whitey lives on welfare with his cigarette-smoking mother and polio-crippled four-year-old sister, Sandy. One Thanksgiving a charity group gives the Blacks a bag of groceries, shaming Whitey before his friend. As time passes, though, Whitey at last allows the narrator into his house, where he meets Sandy. Sandy's one source of solace seems to come from the story The Littlest Angel, which Whitey repeatedly reads to her. Come Christmas, Whitey decides to buy his sister a much longed for angel doll. But no such item is in the stores. When the two lads see a big doll that someone might be able to dress as an angel, Whitey devotes his savings to buying the nine-dollar toy and hiring a seamstress. But then Sandy is hospitalized and dies before she can receive the angel. Though the narrator never sees Whitey again, he discovers, as an adult, that his old friend has been giving out dolls to a children's hospital every Christmas. Bledsoe says his story was inspired by ``my memory of the first person I'd know to die.'' But the tale, while sometimes affecting, has little impact, perhaps mainly because Sandy lacks weight on the page. There's an idyllic moment when the boys go out with the narrator's father to gather two Christmas trees and mistletoe from the woods, and indeed, this short novel's best quality has less to do with the plot than with descriptions evoking local stores and streets at Christmas. May well move young, unsophisticated readers. (Literary Guild alternate selection)

Pub Date: Nov. 11, 1997

ISBN: 0-312-17104-8

Page Count: 112

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1997

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THE PERKS OF BEING A WALLFLOWER

Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.

Pub Date: Feb. 4, 1999

ISBN: 0-671-02734-4

Page Count: 256

Publisher: MTV Books/Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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MONSTER

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...

In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.

Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)

Pub Date: May 31, 1999

ISBN: 0-06-028077-8

Page Count: 280

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 1999

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