Next book

INDEPENDENT JUDGMENT AND INTROSPECTION

FUNDAMENTAL REQUIREMENTS OF THE FREE SOCIETY

A clearly written introduction to objectivism, but one that offers unconvincing arguments for its political conclusions.

Kirkpatrick argues that a truly free society is impossible without an independent citizenry. 

According to Kirkpatrick (Emeritus, Business/California State Polytechnic Univ.; Montessori, Dewey, and Capitalism, 2008, etc.), “independent judgment” has both an intellectual and a moral component: They are “correct perception of the facts of reality and courage to acknowledge and assert those facts.” A free society—one in which all people are free of coercion and equally protected under the law—is simply impossible without citizens who are capable of such intellectual liberty, he says, and so its cultivation is of paramount importance. The author provides a wide-ranging defense of robust individualism that’s deeply indebted to the philosophical work of Ayn Rand and her protégé, Nathaniel Branden. Kirkpatrick particularly takes aim at philosophical schools such as materialism and determinism, as well as religion, which he sees as undermining free will and moral accountability. He also provides a powerful, provocative critique of educational systems that discourage creative thought and contribute to an authoritarian mindset. When Kirkpatrick discusses the elemental attributes of a free society, he clearly means one in the classically liberal tradition, typified by laissez-faire capitalism. However, the author ventures further by making independent judgment a necessary ingredient in happiness itself, which issues from a “life of reason” in which one achieves “objectively valid, rational values.” Kirkpatrick intends his work to be a “scholarly book,” and it’s meticulously footnoted as it explains Rand’s theories in a lucid and accessible manner. However, the book’s philosophical depth doesn’t match the rigor of its documentation. For example, the author never makes a persuasive metaphysical argument that the “individual entity” is the “primary unit of reality,” nor does he establish ethical egoism as a theory, or that moral rights exist—a notoriously difficult concept to demonstrate. Even more disappointing, however, is that Kirkpatrick seems to assume laissez-faire capitalism is the only system that engenders freedom, which is an unusual and historically suspect presumption.

A clearly written introduction to objectivism, but one that offers unconvincing arguments for its political conclusions.

Pub Date: Oct. 1, 2019

ISBN: 978-0-9787803-5-7

Page Count: 204

Publisher: Kirkpatrick Books

Review Posted Online: Oct. 22, 2019

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview