by Jerry Pallotta & illustrated by Ralph Masiello ‧ RELEASE DATE: July 1, 2002
Pallotta continues his series of scientifically oriented alphabets (The Jet Alphabet Book, 1999, etc.), with this skillfully illustrated volume focused on mammal skulls as the underlying structure. Each page shows one animal skull, with a paragraph of often humorous, always interesting text that offers information about skull anatomy, similarities and differences between mammals, and scientific “detective work.” The mammal names are left for the reader to guess from clues in the text and illustrations, with some animals quite easy to guess, and others requiring much more effort from the organ encased in the human skull. Masiello’s (The Flag We Love, 2000, etc.) striking paintings show each skull in a related environment (a fox skull in a henhouse, for example), with appropriate flora and fauna clues (ants crawling on an anteater skull, a bamboo stalk in the jaw of the panda bear’s skull). On most pages there is another challenge for junior science detectives: skillfully hidden within the illustrations are one or more heads of the presidents (famous human skulls of a sort). Both the presidential names and the mammal names are included on an answer page, but it’s left up to each reader’s brainpower to match the names with the appropriate illustrations. This answer page, which also includes some nonmammal skulls, is oddly placed near the end of the alphabet rather than at the end of the volume. Touches of offbeat humor are found throughout, showing that for those who use their heads, science can be both educational and fun. (Picture book/nonfiction. 4-9)
Pub Date: July 1, 2002
ISBN: 0-88106-914-0
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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