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MY FOURTH OF JULY

Despite somewhat inclusive visuals, this book can’t help feeling like it’s stuck in amber. For a true celebration of America...

An exuberant, old-time–y celebration of the Fourth of July.

An energetic young child breathlessly narrates the day, from waking up bursting with excitement to conking out after the fireworks. In between, Spinelli’s nostalgic narrative hits all the expected notes. The child helps prepare the picnic (hot dogs and cherry pie, natch) and loads it into the little red wagon. A train festooned with bunting and pulled by a steam engine crosses Main Street. Once at the park, the family picnics and partakes in all the traditional Fourth of July activities, including face painting, sack racing, a concert in the bandstand, a visit to the zoo (this small-town park is extremely well-appointed), and, of course, the fireworks. Spinelli’s present-tense text combines a childlike voice (“Mama hands me a banana. I’m so excited I forgot to eat breakfast”) with poetic fervor (“My eyes cannot hold the wonders I see. My heart is cheering”). The only nods to patriotism are the abundant flags and mention of standing for “The Star-Spangled Banner.” Day’s small town is a Norman Rockwell–esque place of white frame houses and unleashed, well-behaved dogs. The narrator and family present white, while the narrator’s best friend and some of the other festivalgoers are people of color.

Despite somewhat inclusive visuals, this book can’t help feeling like it’s stuck in amber. For a true celebration of America and its diversity, opt for Stephanie Parsley Ledyard and Jason Chin’s Pie Is for Sharing (2018). (Picture book. 4-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4288-1

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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