Based on a true story, this is a sinister, suspenseful thriller full of creeping horror.
Lourey returns to the Minnesota town of Lilydale, whose perfect exterior hides a seething mass of horror.
After she’s mugged, pregnant reporter Joan Harken agrees to move from Minneapolis to her fiance Deck Schmidt’s hometown both for her own safety and to save Deck from the military draft that’s claimed so many other men in 1968. Deck’s parents and their friends on Mill Street welcome the couple with joy, installing them in Deck’s childhood home. Accustomed to big-city living, Joan immediately feels smothered and uneasy with the attention she gets from the townspeople, who seem unusually delighted with a pregnancy she hadn’t wanted to reveal yet. Desperate for a job, she gets one on the small local paper, which sends her out to do the usual puff pieces, and finds herself intrigued by a story about a little boy who vanished from school in 1944 and was never found—and the man who's just shown up in town claiming to be that boy. As she investigates, she feels constantly watched and reported on by the Mill Street gang and quickly learns she can trust no one. Her paranoia about the way she’s treated and the things she’s learning makes even Ursula, her college roommate and best friend, think she needs help. Realizing that the only way she may ever learn the truth about the town’s strange past and disturbing present is by pretending to be docile, she’s still outsmarted by the cultish group, which forces her to give birth at home. She awakens bloody and in pain and without her baby. In a desperate attempt to rescue her child, she uses every bit of remaining strength and wit to escape Lilydale.
Based on a true story, this is a sinister, suspenseful thriller full of creeping horror.Pub Date: Jan. 1, 2021
ISBN: 978-1-5420-1631-5
Page Count: 348
Publisher: Thomas & Mercer
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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