Too clever for kids just learning the alphabet and not clever enough for kids looking for more.
This alphabet book examines the ABCs from a middle letter’s perspective.
Why does A always get to go first? It’s an interesting concept that O, the 15th letter of the alphabet and narrator of the tale, ponders. O is a natural replacement: They’re easy to make, and the ABC song, er…OBC song sounds, well, “omazing.” As O contemplates the change, other thoughts run through their head. Maybe the olphabet should be a circle of letters instead of a line. That doesn’t leave anyone behind (we’re looking at you, Z!), and it’s a shape that really speaks to O. After working through various scenarios, however, O arrives abruptly at the conclusion that they’re happy where they are. The concept of the picture book is amusing, but the follow-through is uneven. Some letters, when considered by O, are introduced with words they begin (“B can be Boring, Bossy, Bad”), but this is not done systematically or consistently. The illustrations add little to the story. The physical placement of letters on some pages is odd, compositions fighting with alphabetical expectations. For example, an early view of the first few letters is backward, with A on the right at the head of a line of thirsty letters at a lemonade stand (mystifyingly staffed by S). (This book was reviewed digitally with 10-by-18-inch double-page spreads viewed at actual size.)
Too clever for kids just learning the alphabet and not clever enough for kids looking for more. (Picture book. 4-6)Pub Date: May 18, 2021
ISBN: 978-0-7624-9820-8
Page Count: 32
Publisher: Running Press Kids
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
Low grade.
A gray character tries to write an all-gray book.
The six primary and secondary colors are building a rainbow, each contributing the hue of their own body, and Gray feels forlorn and left out because rainbows contain no gray. So Gray—who, like the other characters, has a solid, triangular body, a doodle-style face, and stick limbs—sets off alone to create “the GRAYest book ever.” His book inside a book shows a peaceful gray cliff house near a gray sea with gentle whitecaps; his three gray characters—hippo, wolf, kitten—wait for their arc to begin. But then the primaries arrive and call the gray scene “dismal, bleak, and gloomy.” The secondaries show up too, and soon everyone’s overrunning Gray’s creation. When Gray refuses to let White and Black participate, astute readers will note the flaw: White and black (the colors) had already been included in the early all-gray spreads. Ironically, Gray’s book within a book displays calm, passable art while the metabook’s unsubtle illustrations and sloppy design make for cramped and crowded pages that are too busy to hold visual focus. The speech-bubble dialogue’s snappy enough (Blue calls people “dude,” and there are puns). A convoluted moral muddles the core artistic question—whether a whole book can be gray—and instead highlights a trite message about working together.
Low grade. (glossary) (Picture book. 4-6)Pub Date: Dec. 1, 2019
ISBN: 978-1-5420-4340-3
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 22, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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