Keep your friends close and these four aunties closer.
Another wild wedding day befalls the Chan family in Sutanto’s wacky sequel to Dial A for Aunties (2021).
Almost a year after Meddy Chan and her four aunties covered up an accidental murder, Meddy can’t wait to have a fresh start by marrying her dream guy, Nathan, at Oxford's Christ Church College. He’s the “perfect specimen of a man” according to her Ma, yet even with their wedding day rapidly approaching, Meddy can’t help but feel like their union is too good to be true. To make matters worse, her “batty” aunties have yet to meet Nathan’s prim-and-proper English parents, and they’ve started using British slang like “dog’s bollocks” in hopes of impressing Chris and Annie. To further appease Meddy’s wedding jitters, her aunties hire the Tanuwijayas, an Indonesian family of wedding vendors who handle flowers, hair, makeup, and photography—score! Meddy finds a kindred spirit in photographer Staphanie, and they become fast friends after bonding over misspelled names and pepper spray. Their friendship proves to be short-lived, however, when Meddy overhears a phone conversation in which Staphanie agrees to take someone out…and not as a plus one. It turns out Staph and her family are in the organized crime business, and their next target happens to be a guest at the Chan wedding. When Staphanie threatens to expose last year’s accident to the police, Meddy and her aunties embark on a madcap, Sopranos-style series of hijinks in order to stop the Tanuwijayas’ plan in its tracks. With plenty of weed-spiked champagne and gags made of pantyhose, these four aunties make it known: Don’t mess with the Chan family. Sutanto’s sequel doubles the trouble for Meddy and Co., but it is not without some frustrating moments (Meddy is basically MIA for her entire wedding). Despite the continual shenanigans, you can't help but get a kick out of the aunties' outrageous stunts and their even bigger hearts.
Keep your friends close and these four aunties closer.Pub Date: March 29, 2022
ISBN: 978-0-593-44076-6
Page Count: 304
Publisher: Berkley
Review Posted Online: Feb. 4, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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