At the heart of this multicorpse thriller is a love that dare not say its name. Come on out, Jane.
Former classmates at Oxford’s MFA writing program become locked in a vicious death match at a Manhattan writers conference.
Sutanto’s campy thriller follows two successful YA novels and a cozy mystery (among other books) and shows the marks of both genres, with confessional, in-your-face, first-person narration and minimal gore, well off-screen. It begins when Jane Morgan, an unhappy midlist writer of what she calls “lit fic,” learns that her former classmate (crush, obsession, idol, muse—all of the above) Thalia Ashcroft has hit the bestseller list with a thriller that seems to be partly based on their friendship. Despite their initial intense closeness, Thalia and Jane became estranged after a mysterious incident their first year, and while Jane came back to finish, Thalia never did. Now Jane, mired in a dull marriage to a dull man, with an equally uninspiring career, is determined to reconnect with Thalia and jump-start her life. When she learns that her old friend will be appearing at SusPens Con in New York City, she pawns some apparently stolen jewelry to pay for a plane ticket and hotel room and plows ahead despite the fact that husband Ted insists on tagging along and her literary agency won’t help her get into the show. Jane reveals early on her self-diagnosis: “Pretty sure I’m a sociopath. I’m not ashamed of it; in fact it’s something I quite like, and I carry the thought in the recesses of my mind like a lucky charm, returning to it the way one might stroke a rabbit-foot once in a while.” In fact, the reason the American Jane chose England for her graduate studies is that it’s considered the third rudest, most unfriendly place in the world (after Russia and France), and life in sunny California is driving her to constant thoughts of mayhem and murder. The plot in both present and past is quite silly, but crazy stalker Jane is kind of fun. Her self-knowledge seems limited, however—despite swoony sexual fantasies about Thalia, she continues to believe she’s not attracted to women. When the point of view switches in the second half, with supporting characters streaming in and twists piling on twists piling on twists, some eye-rolling may ensue. On the other hand, Sutanto’s renderings of Jane’s Chinese Indonesian heritage and her experience at Oxford, both autobiographically based, are strong.
At the heart of this multicorpse thriller is a love that dare not say its name. Come on out, Jane.Pub Date: Aug. 22, 2023
ISBN: 9780593546918
Page Count: 352
Publisher: Berkley
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.
The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.
Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.Pub Date: Oct. 29, 2024
ISBN: 9780063396524
Page Count: 320
Publisher: Mariner Books
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
SEEN & HEARD
SEEN & HEARD
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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