Ambitious and powerful—a remarkable novel.
C is lonely, ill, in debt, in danger, and on the verge of the most radical reinvention of all—total erasure.
In 2008, C was an up-and-coming fabric artist in Manhattan, married and hoping for a child. Then, “on the day the market crashed,” she underwent an emergency hysterectomy and awakened to what her lifelong friend Zo, a trader on Wall Street, described as an almost literal new world, one where “everyone [is] now in debt.” Three years later, C is still struggling to adjust to the normalcies of a life in constant crisis. Her medical debt is stubbornly eating away at the resources she needs to keep her arts and crafts store afloat, her marriage has ended, she has a nagging pain in her side and experiences unpredictable fainting spells, and she’s begun to be visited by the specter of a gnomelike little man in a navy three-piece suit with a gleeful penchant for expounding on systems theory. Add to this the ongoing urgency of the Occupy Wall Street movement—in this world, a collectivist effort that has grown in the years after the financial crisis rather than petered out—and the looming threat of GoodNite, an organization of “homegrown terrorists” bent on crashing the world’s electrical grid and taking down all of society with it, and it seems no wonder that all of C’s attempts to put her life in order seem to unravel into individual twists of wasted energy and ennui. And yet, C does go on, pouring herself into an artistic gesture that refigures the hopeless tangle of economic, biological, and climate systems as a generative act that embraces the nihilism embodied by GoodNite even as it makes something never before seen out of the fabric of the denuded world. Elements of the novel (particularly its exploration of cybernetics as a ubiquitous controller of domestic life) recall the work of such 20th-century greats as DeLillo or Sebald, but Stevens’ voice—which is meticulous, wide ranging, and moored in a different perspective from the 20th century’s predominantly white male hegemonies—makes her work particularly suited for the current century’s artistic needs.
Ambitious and powerful—a remarkable novel.Pub Date: Feb. 6, 2024
ISBN: 9781913505707
Page Count: 288
Publisher: And Other Stories
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
BOOK REVIEW
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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