Eerie and edgy—and effective as Poe.
A provocative tale of forbidden love and madness.
In their first collaboration, the wildly inventive duo of Anthony (The Convalescent, 2009) and Corral, designer of varied and various bestselling book covers (Decoded, by Jay-Z; Classy, by Derek Blasberg, both 2010, etc.), presents a dark picture book for mature teens. The plot appears simple: Gloria “Glory” Fleming, a child prodigy on the piano, falls for Francisco “Frank” Mendoza, the boy next door. Glory’s overprotective father disapproves, causing both teens untold misery as Glory’s torn from Frank to tour Europe, and Frank eventually gets expelled from private school. But rippling beneath the surface of this star-crossed love story lurks an undercurrent of madness, as Glory starts infusing her performances of classic concerti with the basic “Chopsticks” theme and soon finds she can’t stop. That’s where the work’s literally graphic nature—oversized and teeming with photo collages of significant objects and moments—turns this familiar plot on its ear, forcing readers to infer reality from the often caption-less, seldom contextualized images. The result leaves readers wondering what really takes place—even if Frank ever existed—and, through its narrative reticence, speaks volumes to the ineffable nature of both mental illness and intimate relationships. (An interactive, multimedia electronic version is scheduled to release simultaneously.)
Eerie and edgy—and effective as Poe. (Graphic fiction. 15 & up)Pub Date: Feb. 2, 2012
ISBN: 978-1-59514-435-5
Page Count: 272
Publisher: Razorbill/Penguin
Review Posted Online: Dec. 6, 2011
Kirkus Reviews Issue: Jan. 1, 2012
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Plenty of heat but not enough substance to keep the fire burning.
A romantically entangled stepbrother and stepsister in Los Angeles navigate their tumultuous history and take their relationship to new levels in this translated title by an Argentinian author.
Nick and Noah are madly in love: Their mutual attraction is established as the book opens with Noah’s 18th birthday party, during which she and Nick have an explicitly described sexual encounter behind the pool house. This fiery scene sets the stage for twists and turns in the lovers’ journey, including a separation when Noah is forced to go on a monthlong mother-daughter European tour. But reminders of their pasts (chronicled in the 2023 series opener, My Fault) threaten to undermine their stability. Nick’s wealthy estranged mother makes an unfortunate appearance, while Noah is haunted by the trauma of her father’s violent death. The blend of everyday complications (jealousy, parental disapproval) with frothy visions of high-society life is at once lacking in subtlety and intimately irresistible. The series initially gained popularity on Wattpad, and the novel follows the episodic structure typical of works on that site; sensual encounters occur at reliable intervals. Still, the characters and their milieu feel formulaic, and the writing is stilted. The differences between the two—Nick is five years older and has an office job; Noah has just finished high school—makes their suffocatingly possessive relationship feel particularly squirm-worthy. Nick and Noah and their families read white.
Plenty of heat but not enough substance to keep the fire burning. (Romance. 16-18)Pub Date: Dec. 5, 2023
ISBN: 9781728290768
Page Count: 450
Publisher: Bloom Books
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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