A quirky fairy tale with a vibrantly realized setting and a wonderfully outrageous twist.
A woman comes of age in Fifth-Floor Dresses at San Francisco’s upscale I. Magnin department store in the 1980s.
There are a lot of things 19-year-old Zippy has never done: She’s never been to a school dance or on a date, never been told she’s pretty, had a real boyfriend, or had sex; and, until she met her current roommate, Raquel, never had a best friend, tried alcohol, or taken a cab. She’s never eaten an artichoke or been to Seattle or Sonoma; she’s never met her father or even known his name—she’s the product of a one-night stand and grew up in a tiny apartment over a liquor store, sleeping in the hallway after her mom married a man named Howard. Though no one has ever noticed Zippy’s obvious intelligence or suggested she apply to college, there is one area where this naïve people-pleaser shines, and that is selling clothes. The highlight of Blau’s latest is the vivid department store setting, from the Adrienne Vittadini and Bill Blass dresses to the individual saleswomen, the hold tags, the complaint cards. Those pesky complaint cards! Despite Zippy’s tireless work and top-selling status, there have been a flood of cards claiming she’s pushy and bossy, that she forces bras and shoes on customers, that people are afraid to return clothes while she’s there. How can such a smart girl not immediately realize these must have been fabricated by a jealous colleague? Well, the other thing is that Zippy is profoundly insecure. Her low self-esteem is focused in particular on her appearance and her body, and this drives a subplot about dieting and weight loss. Though this coming-of-age story is not as edgy as some of the author’s earlier work, it still has plenty of unusual sex talk—a penis “so lumpy” it looks like “a miniature sack of kittens”; much discussion of holes, smells, and fluids; a venereal disease rumored to cause “fuzzy buttons” on a man’s testicles. AIDS, too, plays a role, though not an unduly serious one, in Zippy’s journey toward filling some of the gaps in her life.
A quirky fairy tale with a vibrantly realized setting and a wonderfully outrageous twist.Pub Date: May 6, 2025
ISBN: 9780063052352
Page Count: 272
Publisher: Mariner Books
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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