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THE TROUBLE WITH LEXIE

It’s a book balanced on thin devices, but Blau is almost as unsparing about Lexie as she is with the other characters, and...

If the protagonist of Blau’s previous novel (The Wonder Bread Summer, 2013, etc.) saved all her bad decision-making for adulthood, she might look like the titular Lexie.

The prologue shows readers exactly where they’re headed: Lexie James, on a booze-and-Klonopin bender, is discovered sleeping in her lover’s marital bed. While this opening drama will rope audiences in quickly, Blau’s hand-tipping ruins a lot of chances for potential suspense. Or possibly not, since the cheating relationship at the heart of the novel is so textbook ill-fated that it would be hard to sympathize with Lexie’s runaway passion in either case. Lexie is, ironically (though the irony is lost on her), a counselor for privileged high schoolers at a ritzy boarding school in Massachusetts, and her lover is one of the lead benefactors of the school, Daniel Waite. Besides being a skilled adulterer, Daniel is also the father of Lexie’s favorite student, making for a very tangled web. Before she meets him, it seems that Lexie finally has it made with her sweet job, sweet fiance (who handcrafts guitars for a living), and physical distance from her disastrous childhood in California. Frequent dips into Lexie’s past reveal an uninvolved-then-gone father and a self-involved career waitress mother who mocks Lexie for any achievement and kicks her out of the house when she's 15 to make room for a new boyfriend. But the real trouble with Lexie is that she doesn’t quite add up. Too much time is spent on the past with not enough bearing on the present. Tidbits are always being thrown out about her—her childhood sucked, she’s vain, she lets her phone’s Yahtzee app make decisions for her—without ever harmonizing into a realized character. Pushed to a bigger extreme, the novel might have hit a more humorous note.

It’s a book balanced on thin devices, but Blau is almost as unsparing about Lexie as she is with the other characters, and her pacing is good. Anyone in the market for discount thrills will find them here.

Pub Date: June 28, 2016

ISBN: 978-0-06-241645-2

Page Count: 336

Publisher: Perennial/HarperCollins

Review Posted Online: March 29, 2016

Kirkus Reviews Issue: April 15, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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