Meant to be Alice in Wonderland by way of Boogie Nights, the book comes off more like vintage Tarantino performed by HBO’s...
1983 is like, a bummer, man, in this hazy quasi-comedy about sex, blow and what’s next.
No stranger to the unique strain of adolescent nostalgia for California after her similarly themed debut, The Summer of Naked Swim Parties, Blau (Drinking Closer to Home, 2011, etc.) goes over the top, sometimes very uncomfortably, with this druggie blast from the past. Set in the Los Angeles glory days of hair, metal and valley porn, the author designs quite the odd duck to center her gray comedy. When we open on shiftless Berkeley college student/remind-us-yet-one-more-time-she’s-Jewish-biracial-Asian—wait, she has a name, it’s Allie Dodgson. Anyway, the girl is not doing so hot. She loaned a bunch of money to her dreamy boyfriend, who promptly broke up with her. To make ends meet, Allie is working in a crappy dress shop in Oakland with her BFF Beth, snorting coke and trying to avoid the antagonistic penis of her masturbatory employer Jonas. Unfortunately for her, tuition and the rent are both due, and Jonas isn’t giving up her paycheck without a fight. In a fit of pique, Allie swoops up a Wonder Bread bag full of high-octane cocaine, and she’s off on her After Hours-esque misadventure. There are a lot of bad decisions, a lot of poorly made decisions and a lot of kooky characters to keep Allie rolling and tumbling. “I want to go back to school next summer,” Allie says. “I want to stay in Berkeley and graduate with honors. I want to return this car to my friend Beth. I don’t want to be a coke-snorting thief.” There’s a bit of lost-girl syndrome as Allie tries to reconnect with her rock-star mother and her absentee father. But tastes will vary—between the paraplegic porn producer and Allie shagging Billy Idol (seriously), most readers will have made up their minds one way or another.
Meant to be Alice in Wonderland by way of Boogie Nights, the book comes off more like vintage Tarantino performed by HBO’s Girls.Pub Date: May 28, 2013
ISBN: 978-0-06-219955-3
Page Count: 272
Publisher: Perennial/HarperCollins
Review Posted Online: March 16, 2013
Kirkus Reviews Issue: April 1, 2013
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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