A beautifully observed book, written in precise, elegant prose that contains a wealth of deep feeling.
In Australian author Au's deceptively simple second novel, a mother and daughter meet in Japan to spend time traveling together.
On a rainy October day in Tokyo, a woman gently shepherds her undemanding mother toward a museum. Their trip unfolds, interspersed with memories from the narrator's life, past conversations, and musings about her mother, who grew up in Hong Kong and immigrated to another country before her children were born. The two are kind with each other, almost formal, but not close. A muted sense of frustrated hope hangs over their interactions, a thorny knot of longing and despair. Toward the end, in a rare moment of intimacy inside a church they are visiting as tourists, the daughter asks about her mother's beliefs: "She said that she believed that we were all essentially nothing, just series of sensations and desires, none of it lasting...there was no control, and understanding would not lessen any pain. The best we could do in this life was to pass through it, like smoke through the branches, suffering, until we either reached a state of nothingness, or else suffered elsewhere." To this the daughter makes no reply. "I looked at my watch and said that visiting hours were almost over, and that we should probably go." The trip does not succeed the way the narrator hoped. And yet: "It occurred to me that by the age I was now, my mother had already made a new life for herself in a new country...I tried, and failed, to imagine her first months there. Had she been homesick? Had she been awed by the streets, the brick and weatherboard houses, so different to her own home? Had she been worn out not by the big changes, but, as is often the case, by countless smaller ones—the supermarkets that were so well stocked, but where you could not buy glass noodles, or the right kind of rice?" Early on, in a phone conversation, the narrator's sister says that her young daughter wants to wear the same dress every day. All the sister can do is "to make her something warm for dinner, to look on her in flawed understanding, and console in all the insufficient ways." Flawed understanding, consolation, and insufficiency all infuse this compelling, unsettling novel reminiscent of Jhumpa Lahiri's Whereabouts or Rachel Cusk's Outline Trilogy.
A beautifully observed book, written in precise, elegant prose that contains a wealth of deep feeling.Pub Date: Feb. 1, 2022
ISBN: 978-0-8112-3155-8
Page Count: 144
Publisher: New Directions
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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BOOK REVIEW
SEEN & HEARD
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