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THE WELCOME TABLE

AFRICAN-AMERICAN HERITAGE COOKING

In this terrific book Harris (Tasting Brazil, 1992) continues to examine the effect of the African diaspora on our plates and palates. Harris is no dabbler. When she tackles a subject she does so forcefully, as she has done with the recipes collected here. There are five variations on cornbread, ranging from white cornbread baked in a cast-iron skillet to a modern jalape§o version, along with spoon bread, hush puppies, and johnnycakes. Headers for these recipes are informative, well researched, and often wryly funny (``Okra is the Rodney Dangerfield of vegetables,'' begins one on Fried Okra). The chapters, organized traditionally (appetizers, condiments, desserts, etc.), each begin with a profile of an African-American, like Agnes Louard, a retired professor who recalls her mother's chicken-frying prowess, and poet Maxine Clair, who explains how her current vegetarian diet dovetails with the way she ate as a child. In a lively and thorough introduction, Harris notes that these recipes are traditional- -especially the many using bacon drippings—but encourages readers to convert them if desired. There are, however, plenty of refreshingly light choices here as well. For example, cucumbers marinated in vinegar with onions and allspice berries are invigorating. Occasionally, the simpler recipes are on the vague side: One for frying green tomatoes instructs to cut them into ``thick slices'' and neglects to give an estimated time for them to brown. Discoveries like Stoup, a combination of stew and soup, and a tender dandelion salad topped with hot bacon dressing more than counterbalance any failings. Both warmly personal and exactingly professional. (24 2-color line drawings, 26 photos, not seen) (First serial to Gourmet)*justify no* In this terrific book Harris (Tasting Brazil, 1992) continues to examine the effect of the African diaspora on our plates and palates. Harris is no dabbler. When she tackles a subject she does so forcefully, as she has done with the recipes collected here. There are five variations on cornbread, ranging from white cornbread baked in a cast-iron skillet to a modern jalape§o version, along with spoon bread, hush puppies, and johnnycakes. Headers for these recipes are informative, well researched, and often wryly funny (``Okra is the Rodney Dangerfield of vegetables,'' begins one on Fried Okra). The chapters, organized traditionally (appetizers, condiments, desserts, etc.), each begin with a profile of an African-American, like Agnes Louard, a retired professor who recalls her mother's chicken-frying prowess, and poet Maxine Clair, who explains how her current vegetarian diet dovetails with the way she ate as a child. In a lively and thorough introduction, Harris notes that these recipes are traditional- -especially the many using bacon drippings—but encourages readers to convert them if desired. There are, however, plenty of refreshingly light choices here as well. For example, cucumbers marinated in vinegar with onions and allspice berries are invigorating. Occasionally, the simpler recipes are on the vague side: One for frying green tomatoes instructs to cut them into ``thick slices'' and neglects to give an estimated time for them to brown. Discoveries like Stoup, a combination of stew and soup, and a tender dandelion salad topped with hot bacon dressing more than counterbalance any failings. Both warmly personal and exactingly professional. (24 2-color line drawings, 26 photos, not seen) (First serial

Pub Date: Feb. 1, 1995

ISBN: 0-671-79360-8

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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