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DON'T TURN AROUND

An action-packed and fiercely feminist big-screen–ready chiller.

Two very different women find themselves in a fight for their lives in Barry’s adrenaline-spiked sophomore thriller.

Austin bartender and aspiring journalist Cait Monaghan couldn't have known a disastrous one-night stand with an up-and-coming country musician would change her life. Cait is shocked when the guy wraps his hands around her throat during sex and chokes her until she nearly passes out. When Cait posts an anonymous piece about the experience online, it’s a hit, but she’s eventually outed as the author. Sympathy inevitably falls on the guy’s side, and her life and livelihood are threatened. The vitriol of it all inspires her to seek out something different, and she volunteers with the Sisters of Service, who help women in crisis. Cait is to drive her new client, the imminently poised Rebecca McRae, from Lubbock to an Albuquerque clinic, but once they hit the road in Cait’s ancient Jeep, they realize that someone seems determined to make sure they don’t make it in one piece. Both women are hiding secrets, and Cait is convinced that the man menacing them with his pickup truck is after her, but Rebecca is equally convinced that she’s his target. As the attacks escalate, Cait and Rebecca must work together to survive their hellish road trip, and Barry builds a believable bond between the two women, born of both necessity and something deeper. The present-day narrative is cut with tidbits from each woman’s life, and Barry gets inside the heads of men both intimately and peripherally connected to them, offering a disturbing glimpse at what drives men to horrible extremes as well as the constant sacrifices, big and small, that women are expected to make for them. Barry’s electric, perfectly paced tale reads like the gritty lovechild of Thelma and Louise and Spielberg’s Duel, and readers will cheer for Cait and Rebecca all the way to the end of the road.

An action-packed and fiercely feminist big-screen–ready chiller.

Pub Date: June 16, 2020

ISBN: 978-0-06-287486-3

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: April 3, 2020

Kirkus Reviews Issue: April 15, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

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  • New York Times Bestseller


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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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TELL ME WHAT YOU DID

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.

Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

Pub Date: Jan. 14, 2025

ISBN: 9781464226229

Page Count: 448

Publisher: Poisoned Pen

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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