by Jessica Bruder ‧ RELEASE DATE: Sept. 26, 2017
Engaging, highly relevant immersion journalism.
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Journalist Bruder (Burning Book: A Visual History of Burning Man, 2007) expands her remarkable cover story for Harper’s into a book about low-income Americans eking out a living while driving from locale to locale for seasonal employment.
From the beginning of her immersion into a mostly invisible subculture, the author makes it clear that the nomads—many of them senior citizens—refuse to think of themselves as “homeless.” Rather, they refer to themselves as “houseless,” as in no longer burdened by mortgage payments, repairs, and other drawbacks, and they discuss “wheel estate” instead of real estate. Most of them did not lose their houses willingly, having fallen victim to mortgage fraud, job loss, health care debt, divorce, alcoholism, or some combination of those and additional factors. As a result, they sleep in their cars or trucks or cheaply purchased campers and try to make the best of the situation. At a distance, the nomads might be mistaken for RV owners traveling the country for pleasure, but that is not the case. Bruder traveled with some of the houseless for years while researching and writing her book. She builds the narrative around one especially accommodating nomad, senior citizen Linda May, who is fully fleshed on the page thanks to the author’s deep reporting. May and her fellow travelers tend to find physically demanding, low-wage jobs at Amazon.com warehouses that aggressively seek seasonal workers or at campgrounds, sugar beet harvest sites, and the like. The often desperate nomads build communities wherever they land, offering tips for overcoming common troubles, sharing food, repairing vehicles, counseling each other through bouts of depression, and establishing a grapevine about potential employers. Though very little about Bruder’s excellent journalistic account offers hope for the future, an ersatz hope radiates from within Nomadland: that hard work and persistence will lead to more stable situations.
Engaging, highly relevant immersion journalism.Pub Date: Sept. 26, 2017
ISBN: 978-0-393-24931-6
Page Count: 320
Publisher: Norton
Review Posted Online: May 8, 2017
Kirkus Reviews Issue: June 1, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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BOOK REVIEW
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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