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THE MANCHINEEL

Over-the-top antics obstruct an otherwise engaging examination of desire and justice.

A young woman will stop at nothing to get what she wants in Carrasquillo’s twisted tale of love and murder.

Elyse Santiago is a beautiful young woman with a traumatic past. Having killed the man who sexually abused her by feeding him toxic sap from the manchineel plant when she was 12 years old, Elyse now shares her ongoing fascination with all things botanical with her devoted base of Instagram followers. Her best friend, Stella, whose abusive husband died of a heart attack and left her a wealthy widow, throws a house party and introduces her to Ben Deluca, a talent acquisition lawyer who sees showbiz stardom in Elyse’s future. The spark between them is immediate and undeniable, but there’s one thing standing in the way of a future together: Ana, Ben’s cruel wife. Ana’s wealthy father (who may remind readers of predatory movie exec Harvey Weinstein) also happens to be Ben’s boss; he finances the lavish lifestyle to which the unhappy couple have become accustomed. Every time Ben tries to leave their marriage for good, Ana threatens to ruin his life—or the lives of those he cares about. When Elyse decides to take matters into her own hands, she embraces her inner nature: “Nature is brutal, isn’t it? It’s impolite. It takes what it wants, and it doesn’t ask permission. Given the option to shrink or thrive, it will choose to thrive no matter the cost.” At first, everything seems to be going according to plan—Ben is made partner at his law firm, and Elyse wraps up loose ends from her past—until one major hiccup occurs that could derail the new life that Elyse is attempting to set up for herself and Ben.

Heavy-handed symbolism (present from the very first line) drives home the connection between Elyse and her beloved killer plants: “See this beauty? It may seem innocent, but this invasive species is a killer.” Whatever sympathy Elyse garners from her horrific childhood experiences with both sexual and physical abuse quickly evaporates when it becomes clear that her first instinct when faced with any sort of inconvenience is murder. Smooth dialogue and a brisk pace keep the action moving along nicely—there are many twists and turns packed into the narrative. The depictions of spousal physical abuse are quite graphic, and there is a trigger warning included at the beginning of the book. Carrasquillo’s choice to reverse the typical abusive gender dynamics within Ben’s marriage is a clever one that sheds light on an often ignored problem. Unfortunately, Ana tends to come across as more of a cartoon villain than a fully fleshed out person: “You don’t know what it means to have your life ruined yet. I haven’t even gotten started,” she heckles him from the edge of the bed. “You will pray for the piece of shit life you had before you met me.” Ben, meanwhile, bumbles along, trying to do the right thing…until he doesn’t. There is never much of a sense of “true love” between the lawyer and the murderer. Instead, readers are simply left with a sense that Ben better not upset Elyse—or she’s likely to resort to her favorite solution.

Over-the-top antics obstruct an otherwise engaging examination of desire and justice.

Pub Date: Jan. 16, 2024

ISBN: 9798350931365

Page Count: 318

Publisher: BookBaby

Review Posted Online: Dec. 22, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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JUST FOR THE SUMMER

A wallowing, emotionally wrenching family drama that leaves little time for romance.

Two people with bad luck in relationships find each other through a popular Reddit thread.

Emma Grant and her best friend, Maddy, are travel nurses, working at hospitals for three-month stints while they see the country. Just a few weeks before they’re set to move to Hawaii, Emma reads a popular “Am I the Asshole” Reddit thread from a Minnesota man who thinks he’s cursed—women he dates find their soulmates after breaking up with him, and the latest one found true love with his best friend! Emma has had a similar experience, which inspires her to DM the man and commiserate. She’s delighted by her witty, lively interactions with software engineer Justin Dahl, and is intrigued when he suggests that if they date each other, maybe they’ll each find their soulmate afterward. Emma upends the Hawaii plan and convinces Maddy to move to Minneapolis for the summer so she can meet Justin in person. The overly complex setup brings Emma and Justin together and the two hit it off, with Justin immediately falling head over heels for Emma. Jimenez then pivots to creating romantic roadblocks and melodramatic subplots centering on each character’s family of origin. Justin’s mother is about to serve six years in prison for embezzlement, which means Justin must move back home to care for his three much younger siblings. Emma was traumatized by her own mother for much of her childhood, left to fend for herself and eventually abandoned in the foster system. When her mother shows up in Minnesota, Emma must face her traumatic childhood and admit that she has prioritized her mother’s well-being over her own. There is little time devoted to Emma’s painful efforts to heal herself enough to accept Justin’s love, which leaves the novel feeling unsatisfying.

A wallowing, emotionally wrenching family drama that leaves little time for romance.

Pub Date: April 2, 2024

ISBN: 9781538704431

Page Count: 432

Publisher: Forever

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 15, 2024

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