Over-the-top antics obstruct an otherwise engaging examination of desire and justice.
A young woman will stop at nothing to get what she wants in Carrasquillo’s twisted tale of love and murder.
Elyse Santiago is a beautiful young woman with a traumatic past. Having killed the man who sexually abused her by feeding him toxic sap from the manchineel plant when she was 12 years old, Elyse now shares her ongoing fascination with all things botanical with her devoted base of Instagram followers. Her best friend, Stella, whose abusive husband died of a heart attack and left her a wealthy widow, throws a house party and introduces her to Ben Deluca, a talent acquisition lawyer who sees showbiz stardom in Elyse’s future. The spark between them is immediate and undeniable, but there’s one thing standing in the way of a future together: Ana, Ben’s cruel wife. Ana’s wealthy father (who may remind readers of predatory movie exec Harvey Weinstein) also happens to be Ben’s boss; he finances the lavish lifestyle to which the unhappy couple have become accustomed. Every time Ben tries to leave their marriage for good, Ana threatens to ruin his life—or the lives of those he cares about. When Elyse decides to take matters into her own hands, she embraces her inner nature: “Nature is brutal, isn’t it? It’s impolite. It takes what it wants, and it doesn’t ask permission. Given the option to shrink or thrive, it will choose to thrive no matter the cost.” At first, everything seems to be going according to plan—Ben is made partner at his law firm, and Elyse wraps up loose ends from her past—until one major hiccup occurs that could derail the new life that Elyse is attempting to set up for herself and Ben.
Heavy-handed symbolism (present from the very first line) drives home the connection between Elyse and her beloved killer plants: “See this beauty? It may seem innocent, but this invasive species is a killer.” Whatever sympathy Elyse garners from her horrific childhood experiences with both sexual and physical abuse quickly evaporates when it becomes clear that her first instinct when faced with any sort of inconvenience is murder. Smooth dialogue and a brisk pace keep the action moving along nicely—there are many twists and turns packed into the narrative. The depictions of spousal physical abuse are quite graphic, and there is a trigger warning included at the beginning of the book. Carrasquillo’s choice to reverse the typical abusive gender dynamics within Ben’s marriage is a clever one that sheds light on an often ignored problem. Unfortunately, Ana tends to come across as more of a cartoon villain than a fully fleshed out person: “You don’t know what it means to have your life ruined yet. I haven’t even gotten started,” she heckles him from the edge of the bed. “You will pray for the piece of shit life you had before you met me.” Ben, meanwhile, bumbles along, trying to do the right thing…until he doesn’t. There is never much of a sense of “true love” between the lawyer and the murderer. Instead, readers are simply left with a sense that Ben better not upset Elyse—or she’s likely to resort to her favorite solution.
Over-the-top antics obstruct an otherwise engaging examination of desire and justice.Pub Date: Jan. 16, 2024
ISBN: 9798350931365
Page Count: 318
Publisher: BookBaby
Review Posted Online: Dec. 22, 2023
Review Program: Kirkus Indie
One of those rare triple-deckers that’s actually worth every page, every complication, every bead of sweat.
A routine break-in at the home of Sûreté homicide chief Armand Gamache leads slowly but surely to the revelation of a potentially calamitous threat to all Québec.
At first it seems as if nothing at all triggered the burglar alarm at Gamache’s home in Three Pines; it was literally a false alarm. It’s not till he receives a package containing his summer jacket that Gamache realizes someone really did get into his house, choosing to steal exactly this one item and return it with a cryptic note referring to “some malady…water” and “Angelica stems.” Having already refused to meet with Jeanne Caron, chief of staff to Marcus Lauzon, a powerful politician who’s already taken vengeance on Gamache and his family for not expunging his child’s criminal record, Gamache now agrees to meet with Charles Langlois, a marine biologist with ties to Caron who confesses to a leading role in stealing Gamache’s jacket. Their meeting ends inconclusively for Gamache, who’s convinced that Langlois is hiding something weighty, and all too conclusively for Langlois, who’s killed by a hit-and-run driver as he leaves. The news that Langlois had been investigating a water supply near the abbey of Saint-Gilbert-Entre-les-Loups sends Gamache scurrying off to the abbey, where the plot steadily thickens until he’s led to ask how “an old recipe for Chartreuse” can possibly be connected to “a terrorist plot to poison Québec’s drinking water.” That’s a great question, and answering it will take the second half of this story, which spins ever more intricate connections among leading players that become deeply unsettling.
One of those rare triple-deckers that’s actually worth every page, every complication, every bead of sweat.Pub Date: Oct. 29, 2024
ISBN: 9781250328137
Page Count: 432
Publisher: Minotaur
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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