MURDER AT AN ENGLISH SÉANCE

The medium is definitely not the message when private enquiry agents Edwina Davenport and Beryl Helliwell probe a murder at a séance in post–World War I England.

Looking back over the past year, Edwina can hardly believe all the changes to her life since she reluctantly invited American adventurer Beryl to share her home at The Beeches, a gracious but costly Victorian house in the small village of Walmsley Parva. Never would she have imagined that she’d learn to drive, write a book, open her home to her former gardener, or start a detective agency with her brave but impulsive housemate. Even police constable Doris Gibbs admits that the pair have a knack for resolving their fellow villagers’ dilemmas. When Muriel Lowethorpe, the vicar’s wife, asks them to persuade organist Hazel Moffat to stop providing music at Maude Dinsdale’s séances, they agree that working with a medium is not an appropriate side hustle for a church musician. But when Hazel turns up dead in Maude’s spirit guide’s sarcophagus, it’s PC Gibbs who solicits the private investigators’ help. Gibbs knows that together, conventional Ed and unconventional Beryl have their fingers squarely on Walmsley Parva’s collective pulse. Not even Maude’s second sight can predict the ways their foray into the world beyond will rock their own world, leading to an even greater expansion of The Beeches’ bespoke extended family.

Ellicott helps her characters grow as they become ever more their true and endearing selves.