A peek into a peculiarly alluring world of art, fame and mortality.
Hagedorn's fifth (Dream Jungle, 2004, etc.) could be classified as archetypal literary fiction, all post-modern character study rather than a narrative carrying the reader to a happily-ever-after conclusion.
The milieu is the West Village in New York City, and the story opens symbolically with the death of a hot young Hollywood actor. Among the gawkers outside his brownstone is Mimi Smith, a filmmaker with one movie to her credit. Mimi's in limbo, drinking too much, sampling too many drugs, pining for a missing boyfriend. Other characters swirling through Mimi's world include her daughter, Violet, far too young to be skipping school and partying in imitation of her mother. There is also Mimi's brother, Carmelo, a once-reformed druggie and sometime musician, and most provocatively, there is Mimi's downstairs neighbor, the elderly Eleanor Delacroix, a writer of measurable talent mired in grief because of the death of her longtime lover, Yvonne Wilder. There are more deaths to be reckoned with—Mimi and Bobby's parents were assassinated in their native country; their cousin, Agnes, was apparently abused as a sex slave and murdered; and Felix Montoya, a poet, friend and perhaps lover of Delacroix, is dead and buried in Mexico. These lives unfold at fame's periphery, where avant-garde means Mimi earns some notice but little money for her urban horror film, Blood Wedding. Mimi is an interesting literary character, albeit not necessarily sympathetic, at least as it might play in Peoria. Conversely, Delacroix is intriguingly drawn, a lioness in winter, stoked by cocaine and alcohol. Hagedorn writes dialogue without quotation marks, but conversations are easy enough to follow. Well into the book, she marries Mimi's story to Delacroix's with a passive seduction. The novel then morphs into an interview the notoriously publicity-averse Delacroix gives to a literary magazine called The Volga Review.
A peek into a peculiarly alluring world of art, fame and mortality.Pub Date: April 18, 2011
ISBN: 978-0-670-02257-1
Page Count: 240
Publisher: Viking
Review Posted Online: Dec. 30, 2010
Kirkus Reviews Issue: Jan. 1, 2011
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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