Somewhat cerebral but brimming with visual charm—and likely to spark ideas in the artistically minded.
U said it!
The diminutive lowercase letters attending Ms. Bracket’s School for Little Letters, located in New York City, embark on a “Find Yourself Field Trip” and observe letters everywhere—on signs, on T-shirts, and more. When personable U, the story’s protagonist, talks to a letter in a book at the New York Public Library, she realizes how powerful and important letters and words are; a discussion with a letter on a sculpture spelling out the word hope inspires optimism. When it’s her turn to share her field-trip experiences, U recaps her conversations and the lessons learned, namely, be yourself, or, in U’s case, be U. Her decision about who to be when she grows up should please readers, though the heavy-handed lead-up to that conclusion may confound them. The story is cute, though a bit thin, with a lofty message that may go over kids’ heads. However, the humorous, inventive illustrations are appealing, with playful use of typography and fonts; many colored images are pleasingly set against monochromatic line drawings. The adorable, exuberant student letters and teacher have spindly limbs, dots for eyes, and small, curved mouths. Ms. Bracket, who resembles a squiggly, yellow piece of pasta, wears a “hair” adornment. Children may be spurred to take part in their own creative lettering activities—collages for example. (This book was reviewed digitally.)
Somewhat cerebral but brimming with visual charm—and likely to spark ideas in the artistically minded. (Picture book. 4-7)Pub Date: April 11, 2023
ISBN: 978-0-593-38502-9
Page Count: 48
Publisher: Penguin Workshop
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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