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NIGHT MOVES

The nonsequential entries make it difficult to chart Hopper’s growth, but that isn’t her game. In this lively and funny...

Down but not out in the hardscrabble Chicago of the 2000s.

Pitchfork writer Hopper (The First Collection of Criticism by a Living Female Rock Critic, 2015, etc.), who was also a music consultant for This American Life, freestyles her way through the past in this spirited random-access journal of her Chicago days in the early 2000s, when she struggled to get by while taking in the sights. There’s the guy on the roof, peeing into a duct (“Does he know where that duct goes?...Is he a handyman who hates his job?...Is our duct next?”), and the disappointed evangelical who finally loses it. (“Whuddup, bitch? Why didn’t you take a pamphlet? You can just ignore him like that? Huh? Beeitch!”) Hopper mostly got around by bike or foot, subsisted on crummy jobs, attended concerts, and fell in and out of relationships that left her buoyant or bummed out (“I think he thought I was just being vindictive for that time he ruined 1997-2002”). The author doesn’t just observe; she also asks the right questions: “You know how some nights you leave the house wanting to milk summer for all it’s worth, but all you get is a good glimpse at the rotten soul of the universe as it exists in and outside of yuppie jazz discos?” The weather was often unforgiving—“everyone is feeling the deep funk of winter’s bitch turn”—but the city was not: “It is profoundly comforting to live in a city that doesn’t give a shit and loves you how you are, because it is every bit as marred, bereft, and cocky as you are.”

The nonsequential entries make it difficult to chart Hopper’s growth, but that isn’t her game. In this lively and funny collection, she bears vivid witness to an industrial punk landscape that is both crumbling and evolving beneath her bare feet.

Pub Date: Sept. 18, 2018

ISBN: 978-1-4773-1788-4

Page Count: 184

Publisher: Univ. of Texas

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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